Shooting Quotes - Page 7

Shooting in 3D hasn't really affected the way I work as an actor that much. Maybe that's not a good thing. Maybe I'm not being diligent enough.

Using the right of veto would be shooting the Americans in the back.

That people will object very much to seeing a predator killing its prey, and yet, in the news, will accept showing shots of people shooting one another.

In the spirit of Vivian Maier, who worked unaided by any publication or commercial shooting, I set up the Emerging Photographer Fund

I can still recall the thrill of shooting my first film.

I hope I'm still shooting when I'm 80.

I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.

I used to be a die-hard defender of physical film, which I still am. I love shooting on physical film and I think it's great.

There's something about shooting webs out of my wrists and climbing up things that just makes me happy.

My mind is in so many different places while we're shooting. Part of it is watching the performance, part of it is watching the camera, and part of it is thinking about the stuff that we have to get that day. It's always a pleasure watching, but you also take it for granted, when you're on the actual grind, making the show.

I was in Deadwood at the time and on hearing of the killing made my way at once to the scene of the shooting and found that my friend had been killed by McCall.

Goals that are not written down and developed into plans are like bullets without powder in the cartridge. People with unwritten goals go through life shooting blanks.

Bruce Willis. Pain in my ass, no problem about that. We just didn't get along. We got along off camera, but shooting we just didn't get along.

It's a bit like school camp, shooting a film. Everyone's on heat. It's a strange energy. It's full of adrenalin. I funnel my excess energy in funny little ways. I do a lot of dancing in my trailer. I love music.

Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.

If I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.

The work of the artist is not so much what you say or what you know, it's recognizing what you know. That's what life is about. That's what photography is about. You see something, or you hear someone say something, and you say That is a truth. You know, deep in you. That's when you start shooting.

The process for doing voice work goes by much quicker as opposed to shooting a feature. You can pretty much go in and knock it out in a day or two. It feels very natural for me to express myself using only my voice, so it wasn't too difficult.

I love guns. I love shooting guns.

There is a great difference between shooting a photograph and making a photograph.

I've always believed the greater danger is not aiming too high, but too low, settling for a bogey rather than shooting for an eagle.

It was fun shooting with Josh [Holloway], not just how great he is, but just how handsome he is.

When I started shooting it just gives my partners more chances for rebounds. It opens up more room.

I imagine the world dividing into the people who want to feed their children, and the ones shooting at them.

Being neurotic is like shooting fish in a barrel, and missing them.