Shooting Quotes - Page 4

I always try and bring screenplay, shooting and editing into a sort of symbiotic - as close into alignment as you possibly can get them, consistent, obviously, with the resources that you've got and the time you've got available.

I had a friend say to me the other day, I hate when I see Jonathan Metzl on your show because I know it`s bad news. I know that there has been a shooting.

Excusing bad programming is a shooting offence, no matter what the circumstances.

I grow more and more suspicious of the political powers that take men away from their work and set them shooting one another.

I literally designed and built the sets myself, and I kind of liked it. I always gave myself eight weeks to do that - sometimes even 10 - and the shooting took five or six weeks.

African history is filled with experiences of people shooting their way to power and then splintering into factions, like in Somalia and Liberia.

It's better for one to die than for all of us to be killed in a shooting affray. Anyway, we've practically no ammunition.

One of the biggest changes for me on a practical level of shooting the film was having a second unit.

I thought, "Oh, my god, that's what happens every time I talk with a journalist in the middle of shooting and I talk about my character. I describe him, I objectify him, and I kill him." So, I've never spoken with a journalist in the middle of a film. I don't do the EPK until the very end of a film. I can't talk about Kiefer's process, but what he brings to the table is beautiful.

When I was 16, I made some little 35mm documentaries about the poor in London. I went round Notting Hill, which was a real slum in the 1950s, shooting film.

If you want to see a shooting star, you might have to spend a lot of nights looking up.

See driving is like stabbing someone, it's very personal. While flying is like shooting someone, it's more distant.

A photographer kept shooting me every time I swung. I was very flattered until I found out he was from Field and Stream.

Meditation is a great way to keep my body well-centered while juggling shooting schedules and recording sessions.

I shoot reality-based movies, and in actual locations, shooting them with a star is next to impossible.

I didn't audition for the part! The role was offered to me, and I was so excited to be a part of 'The Haunting Hour.' It is such a cool show and it was so much fun shooting the 'Intruders.'

Shooting is my principal pastime.

It's one of the most progressive cities in the world. Shooting is only a sideline.

If [the shooting of Gabby Giffords in] Tucson tells us anything at all, it tells us this: Government has failed.

As filmmakers, you're not working on just one project, you're producing something, directing something, shooting something, and so it becomes hard to do it by yourself.

We live in a crazy time. Every other week, there's a school shooting. There's always some nutty thing and I've always wanted to kind of understand the crazy.

Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.

That's one of the things about theater vs. film - with theater, actors have a little more control, and one of the disappointing things about films is that once you're done shooting, anything can happen, you know?

We're shooting 100 percent - 60 percent from the field and 40 percent from the free-throw line.

And shooting things in a documentary style was a good way to create tension and energy without money.