I always look at my favourite photographs or favourite movies by James Bidgood or Sofia Coppola before I write my songs - they put me in the right frame of mind.
All the hills and vales along Earth is bursting into song, And the singers are the chaps Who are going to die perhaps.
One night I was sitting listening to some Hank Williams songs - and they'll change your life in a hurry.
What were you going to do tonight?" "I was going to listen to the songs of Rachmaninoff." "Who's that?" "A dead Russian.
I think when black performers performed in blackface, they were kind of taking back slave songs, but it was still a little bit iffy because they were performing, a lot of times, for white audiences who found it hilarious.
People can have political opinions and put them into songs. I'd never deliberately do that, but that's a personal choice I'm inspired by my man but not by his previous position. I'm more inspired by people that are left out by society.
With every song I have a person in mind who, in a perfect world, would perform with me. Usually I end up not getting that person, and I'm forced to settle for someone else.
This song is for the guy who keeps yelling from the balcony, and it's called 'We hate you, please die.'
You become acutely aware, if you're touring a lot, that you need new songs to invigorate the live show. And make it interesting for yourself, too.
In my songs, I'm not saying something that's never been said before. The have lyrics aren't going to blow people away. It's the emotion and the melody that drive it home.
I'm a big fan of songs like Joe Cocker's 'You Are So Beautiful' and Eric Clapton's 'Wonderful Tonight' - songs that go straight to the point.
Today, I'd like to talk to Bob Marley. I'd just like to ask him what was his method. Bob is one of the greatest songwriters ever. I don't know if people understand how powerful his songs are and the simplicity and genius behind them, from 'Redemption Song' to 'Is This Love?' and 'I Shot the Sheriff.'
I think that people want to go to the movies and watch shows on TV or in theaters that make them feel good and music really does that. Not only can you watch something and connect to dialogue, but when you listen to a song, it gives a whole other element of connection and you get that feeling like you want to stand up and dance and sing.
When stuff gets hard, and you're feeling real down about everything or in a cark space, a song can bring you out of it.
The song Cant Look Back Now by the Weepies reminds me of the entire Life Unexpected experience.
I have to feel connected before I record and the song has to spark something inside me. Very few songs do that. I guess it's a good process because I love all of my music.
I definitely like to go out and dance. I'm a big vibe person when it comes to music so a song really has to make me feel a certain way in order for me to fall in love with it.
I have always been heavily involved in every album I have ever made. I'm very stubborn when it comes to recording and will only record songs I love, which is why it takes me a long time to make an album.
I like to think about what the song is saying, the story of it, and conveying the mood of that to the audience. But at the same time, sharing through interacting with them and engaging them.
If I hear a really good song it's like, oh man, I want to write a song that good. But the urge to create mostly comes from nature, weather and I think it just effects me.
We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.
People sing each other's songs and they cultivate standards. That's the reason why we have folk music and folk stories. History is told through song.
The content people have no clue. I mean, no clue. The cost of bandwidth is going down to nothing. And the size of hard drives is getting so big, and they're so cheap, that pretty soon you'll have every song you own on one hard drive. The content distribution industry is going to evaporate.
I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store. I thought it was really dark, and so I tried to interpret it. I've always been interested in writing from other people's perspectives and other gender perspectives.