There are so many great songwriters that I love and respect, it's an honor to get the opportunity to sing any of their songs.
I started trying to write songs when I was 8 or 9 years old.
I usually enter the studio with a mix of songs that I've been listening to that are relevant to the sound I want to achieve.
Sometimes, you can't seem to find any song on the radio that you like.
I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today, it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
History shows us that the songs - the myth, the experience and the emotion - live longer the less you explain.
I have been writing songs since I was 9 years old, so writing has and always will be my first love and passion.
Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
When I was working on the music for this I didn't want to just use pop songs as the score - most movies do it and I've done it before.
I love Benny Hill. He one of my favourites of all time. Like, the way Benny did it, he was just amazing. Just seeing how he put songs together and comedy and the timing and the sketches. He was way ahead of his time.
Originally I was not writing songs for myself
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
When you write a song, a song has longevity
People say I'm the life of the party Because I tell a joke or two Although I might be laughing loud and hearty Deep inside I'm blue So take a good look at my face You'll see my smile looks out of place If you look closer, it's easy to trace The tracks of my tears.
And I can say this, most of the people who have recorded my songs are songwriters themselves.
The music business has made a 360. It's a whole 'nother game. It's not nearly what it was. And I fear for it, because, you know, with the advent of the computer and online and downloading and all these things, they have destroyed - that stuff has destroyed the record business, not the music business, but the record business. The music business is well, and it's alive and thriving. Now, I hope something happens to turn it back around to the point whereas it's - you're earning a living from writing your songs, from your work, you know, because it's not like that anymore.
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
I still perform because it's a necessity for my innards. And those songs, some of those songs, I have sung, I don't know how many thousands of times. And I promise you, every single solitary night, they're new to me. They are brand-new to me that night.
The only time I think I've ever gotten sick of playing Guns and Roses songs really was during - after having played them in Guns and Roses, and then in Snakepit, and then playing 'It's So Easy' and 'Brownstone' in Velvet Revolver.
The best songs for me come from the search for joy. You're in a negative place maybe, but you're still striving to improve yourself and find happiness.
When I write songs for myself it's really personal and I just can't have someone else singing it.
With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer.
Say a thing well and it will be remembered-and so too will you.
There's a lot of rage you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.
