Song Quotes - Page 292

I've always felt profoundly about what's going on in the world on a daily basis. What I hadn't felt was that I was at a point in my writing career where I could write about these things in songs and do it well.

I think I'm a maker of songs, and songs are like films or a picture: You put them over there, and they have nothing to do with you.

The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me.

I always prefer to write songs about emotional situations and heartbreak because I like getting into the character.

I'm not afraid to use my personal experiences and put them into a song. I think that's when you get the best stuff anyway, when it's real emotion.

Selena recorded a song I had written and she left my parts in on the middle eight so it ended up being Selena Gomez featuring Pixie Lott.

I always feel like I have got so much to write about, when it comes to writing for the album. I still think that even though my songs are written from my perspective, I think that all age-ranges can relate to the songs.

I decided at 15 that I didn't want to be one of those artists that gets up and sings love songs they don't mean. I decided that I was going to be me to the fullest extent, that my songs were going to reflect relationships I've had, things I've been through, and even the stuff I'm embarrassed about.

Singers always have an advantage. You know, everyone can connect to a song in a way that they cannot do to a basketball act or a magician act or whatever.

Let's talk about that for a moment, about the couple that Yves Saint Laurent and I were. Like all couples we went through "storms," as the Jacques Brel song says. But if there's one area where we never had the slightest disagreement, it was art. Never. Not once. Not about painting, not about opera, not about theater. We were always in complete communion. Of course, that's how all of the collection came into being.

From the beginning, I've stressed that home is something internal, invisible, portable, especially for those of us with roots in many physical places; we have to root ourselves in our passions, our values and our deepest friends. My home, I've always felt, lies in the songs and novels that I love, in the wife and mother that I'm never far away from, in the monastery to which I've been returning for 25 years.

One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.

If my life was a song the title would probably be 'Clumsy', 'cause I'm clumsy.

Let others, worn with living / And living's aftermath, / Take Sleep to heal the heart's distress, / Take Love to be their comfortress, / Take Song or Food or Fancy Dress, / But I shall take a Bath.

I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.

Hark, the glad sound! The Saviour comes, The Saviour promised long; Let every heart exult with joy, And every voice be song!

I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.

When I sing the songs, there's a color tone and a place, and it's not a place that I remember in reality. It's usually based on a photo that I took - 'cause those photos don't look like the real world. The film distorts them, and the colors get exaggerated.

I've always written songs with a visual counterpart in my mind that no one else can see.

A lot of my songs are about death and the fleetingness of life. It just feels good to remind myself about that a lot. For whatever reason. And it's a beautiful thing, actually. It seems to me like it's a beautiful way to live in the world and to relate to things, with an awareness of temporality.

I don't enjoy "Dust in the Wind"as much. But I do enjoy "Song for America," "Carry on, Wayward Son," and many songs- Kansas is really a drummer's dream to play in. And I like 'em all.

In Genesis we saw ourselves as song-writers. After Peter Gabriel left I was the first to say: 'It's OK - we can just do instrumentals.'

The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better.

I got a new 4-track cassette recorder a year or so after high school. For a while I would just stare at it thinking, how am I going to do this if I don't play guitar or keyboards? How am I going to write and record a song if I don't know how to play any instruments? I mean, I played the violin, but I didn't know anything about how to work a 4-track.

People are born with the knack to write poems and songs. I'm not a poet at all.