Song Quotes - Page 311

The people who keep coping, keep trying, no matter how many blows Fate takes at them. Nobody'll make a song about them, but they're heroes all the same.

I think it's silly when people try compartmentalize musical genres. That was always my problem with the chillwave thing - people were trying to make it into some kind of musical movement, when it was not a movement. A couple dudes had a couple songs for a couple months. It's going to be a disparate onslaught of people throwing ideas at the wall.

There's no love in my songs. There's just a lot of resentment. Just bad attitude. But that's intentional, that's what I like. I love the whole idea of Motown. Their idea was to sing how down on their luck they were, but the song implied hope that it would get better. I liked that idea, and I wanted to go even further with it.

I like things that are contradictory or seem one way but are another way. I think it's more genuine. It's the way I am. I am very positive in certain ways and extremely negative in other ways. I think it's most appropriate if I can write a super pop-y song singing about killing myself.

Can I join you at lunch?" She paused. "You have every other day." He laughed, a sound as musical as the chiming song of the lupine fey when they ran. "Yes. But you resented it every other day." "What makes you think I won't resent it today?" "Hope. It's what I live on.

A Grammy is a wonderful thing; all of a sudden you're given a new audience but, like anything, you have to be able to grow with these songs if you really want a long artistic career.

Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.

I always listen to music when I write! I basically make a playlist for every essay; sometimes it's just one song, or three songs, over and over and over. I sort of find the emotional pitch of the piece, and then match music to it, and then the music becomes a shortcut to the feeling, so I can enter it and work anywhere: on planes, cafes, at work, the train.

You can turn off the song the way you cannot the actual experience.

Because of the irresistible nature of our own Imagos, I think the replication of it in music is a siren song - we love those tormented songs, and we listen to them over and over and over the way that we smash ourselves into our lovers, or the same kind of lover, over and over. That drive is tireless, until it is resolved. And we can "enjoy" it safely through music, which is a simulacrum we have power over.

Torch songs are confessions. They are an expression of feeling that cannot be concealed or contained or minimized. They are marked by anguish, yes, but also by yielding.

When I grew up, there were no songs about gay people.

I love female singer-songwriters!

Sometimes Thomas Mackee will stick an earphone into my ear and ask me to listen to a song. When I get over the revulsion of putting something in my ear that's been in his, I sit back and let the music take over, and for a half hour there's something comforting about someone's heart beating at the same rhythm as mine.

Oh, you've outdone me twice now, you queen of forgiveness. The ring's a promise of peace and I'm greedy with hope. It's a song that we sing in a tongue that we share. And though you say it's a gift from a king to a king, I say it's a sign from a queen to a queen.

I heard your song the moment we were born. And years later, it dragged me back from the lake of the half-dead when all I wanted to do was die. Each time someone tried to kill me, it sang its tune and gave me hope.

Daniel Nahmod's music is addictive and contagious... and is equally comfortable addressing your spirituality, your co-dependence and anger, your hungry stomach or your loving heart. His songs run the gamut from meditative to wise-ass to joyful to everything in between, and he is particularly wonderful working with children (and the young-at-heart). When CDs 4 and 5 come out, you can feel totally comfortable buying them unheard and unseen -- all of Daniel's music is amazing.

I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.

But I've got a lot of ideas, I bought me a ranch in Florida and I still have my farm in Ashland City, Tennessee so I'm gonna spend a little time at each one of those places and you'll probably hear some more songs out of me.

I've always loved songwriting, and I vowed to be a songwriter like Cole Porter when I was only 9 years old.

I love writing songs. I'm a songwriter.

I'm mostly inspired by relationships and things that are going on in my everyday life. It's hard for me to write songs about things I don't experience firsthand, but most of the time it's about relationships - things that are going on in my head.

Anywhere in the world, in every oppressive country, time sooner or later comes and libertarian people sing the same song: Goodbye Mr Dictator! This is a universal law, this is a universal song.

When your target is too far away from you, continue walking singing the song you like.

You have stopped the arrow of time... There's no meaning to this rhyme... Because my song will never mean as much as the one.. He once sang.. For you, yes, you.