Song Quotes - Page 414

Im Sorry was one of the first songs to come out of Nashville using strings.

My job is to write songs that have emotional meaning to me.

You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't.

I don't get into the favorite songs thing, because so many speak to different parts of my life, but the music in the '90s is just unbeatable.

It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.

Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.

Sing!" Grandpa Smedry yelled, his voice echoing down a hallway to the right."Sing!" If he breaks into song I think I might have to strangle myself... I thought, cringing.

The only thing that would make her jealous would be if I led a parade riding a unicorn while ballerinas sang love songs.

Pop is an easy way for evil business people to make a lot of money. But I find myself humming a Christina Aguilera song every once in a while.

I feel like a lot of the singer-songwriters in my genre and in my generation have gotten more and more snooty about covering other people's songs. They believe that creativity is the intersect of expression.

For me, I say no, but then I am old, and life, with his sunshine, his fair places, his song of birds, his music and his love, lie far behind. You others are young. Some have seen sorrow, but there are fair days yet in store. What say you?

The Motion Picture Association of America wipes the sweat off its brow and sings the PG-13 song.

Music allows a person to express their deepest thoughts, thoughts that cannot be expressed with just words. I am often asked how I begin a song or develop a melody from nothing. That is the spiritual aspect of creating. Finding something deep within yourself that can only be created by you.

I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart. My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride.

When you listen to the Anthology of American Folk Music, or anything like that - a compilation of garage bands from the Northeast in the early '60s - you're not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You're just listening to the song and whether or not it has a hook.

I'm working on one of the projects at a time and I'm the zone of that project. I'm not saying there's anything wrong with this, and I might experiment with it in the future, but I'm not a fan of just random assemblages of songs at the moment.

A song like "Walkabout", it's totally imitative. The goal of that song was to make people happy, and I've never really made a song to make people happy before. I really genuinely wanted people to listen to that song and have their spirits lifted.

I've always said I write albums; I don't write random songs and then sort them out.

I realized I had written maybe, I dunno, the first ever asexual love song. Where it's really just about a fear of dying alone - you need contact, you need love, you need empathy. You need this relationship but if there's no sex involved, people act like it's not a legitimate relationship.

The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.

Contrary to popular belief, maybe, I'm a really friendly guy, I guess, and I really like meeting people. And I'm not really super impressed even if you're my hero; I can just rap with you and we can hang. I'm not gonna like sit there and bite my lip and ask questions about certain songs - okay I might do that once or twice. But it's just, like, two people hanging out.

Sometimes, I do have something to say, so I'll sit there and I'll write a song to someone - and then I just throw it away because it makes me cringe.

We're all about trying to play better every night, not just singing hit songs ... we ad lib, and every night there's jamming .. it's almost like the Grateful Dead meets Buck Owens some nights, because we'll go off on little adventures and sometimes we do crash the bus!.

In writing the autobiography, I can really chuckle when I look at the songs. I was acting out the part. I saw myself as a victim.

I worked with Snoop, but I would love to work with him again, but DMX I would love to work with him as well I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.