I think they should take everyone who works for The National Enquirer and the Star, and everyone who works for Us Weekly, and put them all to work looking for terrorists. I think they would find the terrorists. All of them. It would be genius!
I don't like going out. I hate clubs. I hate being around too many people. I love my home and staying in bed and watching Dancing With the Stars or reading a Danielle Steel novel. I'm kind of boring.
It's shocking how bright your star is.
When what you do is play characters, every day, all day, I wasn't really interested in playing a pop star on the weekends. I wanted to be myself, and it slowly turned into not being me at all, so I just didn't really see the point. If the music actually happens, at some point, it will be because some underground following happened, or some little elves heard it and were leaking it.
With Metavoid, I wanted to move forward with the Lustmord sound, rather than recreating past works such as Heresy or Black Stars, I wanted to create a sound that was new, but which was also unmistakably Lustmord. It's for others to decide if I failed or succeeded.
One thing people often forget when making a documentary is that, in a sense, you still have to cast, find a star, and it has all of those built-in challenges.
Who cares if a movie star has an opinion unless the person is very well informed?
Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of 'Star Wars.'
My mother was a secretary that elevated herself to having her own international company, my father elevated himself to an NBA player and perennial all-star. So I learned from my parents that it's about hard work, about both of them getting their education, putting people first and leading a life of integrity.
It's weird, man. I've had a weird life, and I don't want to end up on the dole. I'm fed up with the plumbing. And I think it would be good to be a little pop star again.
So many galaxies, so many planets out there in the universe circling so many stars... it just feels like there's a very good chance that there is another Earth-like planet out there that is able to support some kind of life similar to what we're familiar with.
All mathematics is is a language that is well tuned, finely honed, to describe patterns; be it patterns in a star, which has five points that are regularly arranged, be it patterns in numbers like 2, 4, 6, 8, 10 that follow very regular progression.
Many different planets are many different distances from their host star; we find ourselves at this distance because if we were closer or farther away, the temperature would be hotter or colder, eliminating liquid water, an essential ingredient for our survival.
Some people are very good at being 'stars' and it suits them. I'm grudging about it and I find it annoying.
I suppose I am reluctant about being any sort of 'star' and I didn't particularly want to be portrayed as one.
I think taking the biggest star in India and the biggest star in America, and putting them together in a movie that starts in America and ends up in India, or starts in India and goes to America. I think it would be a buddy cop formula.
One thing about Kurt [Cobain] is before he was a musician, and before he was a rock star, he was an artist, and an artist with a capital A. What that means is that he had to create. It wasn't something that he chose to do - it chose him.
I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.
A curtain of stars, miles of them, are scattered, glowing, across the sky and their multitude humbles me, which I have a hard time tolerating. She shrugs and nods after I say something about forms of anxiety. It's as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there... is... no... key.
I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.
I've worked with some great people [in Star Trek], and I was paid handsomely, and it was a nice role. So the whole experience was positive for me.
I don't think everybody wanted to be on [new Star Trek series] . I certainly didn't.
I didn't really watch the show [Star Trek]. I still haven't seen about 150 of them. So I didn't really think of them too much in terms of episodes. I thought of them as kind of one long seven-year episode.
Rick Berman, who produced Star Trek, was a big Night Court fan. So he knew who I was as soon as I walked in.
I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they'd write an arc if I'd do it.
