Over and over again, I'm trying to express or communicate these big and small struggles to the world, and really to myself.
I do struggle with the fact that I don't have all the answers.
I think if you look at Hollywood as a whole and the type of content that they put out over the years, it's pretty homogeneous, right? They haven't done a really deep dive into a lot of stories of people of color. I don't want to say that there haven't been attempts, and there has been some great product that has come out over the years, but I think in 2016, we're in a world of struggle. It's not just about race, it's also about the LGBT community too and others.
If I were scared of rednecks, I would've moved on a long time ago. That's not a fear I struggle with.
We have to stop judging people who are struggling with their weight.
Tradition remains alive only when we struggle with it.
I write for anybody struggling to manage their money.
I understand why many are still poor or struggling to make just a middle-income lifestyle. I'm a fiscal conservative, but I also have compassion for people who make financial mistakes.
I know what it feels like to struggle to get the education that you need.
One thing I want to clarify - that every service member, veteran, wants us to remember - is that the vast majority of people returning from service come back completely healthy. But when we do come across someone who is struggling. We have to develop a culture of open arms and acceptance so that they feel comfortable saying, "I'm a veteran. And by the way, I need little help." This is something we need to do in this country around mental health as a whole - destigmatizing mental health.
Its subtlest, most appealing accomplishment may be in how other characters respond to Gregorius' precipitous swerve onto the spiritual path. (...) That said, Night Train to Lisbon is a very long, ambitious book that's feverishly overwritten. (...) Think of W.G. Sebald recast for the mass market: stripped of nuance, cooked at high temperature and pounded home, clause after clause. Some of the clumsiness derives from Barbara Harshav's inelegant translation -- we're often aware of her struggle -- but she can't be blamed for the pervasive bloat.
I am a woman with a calling for social struggle and public service.
It's important to teach students about the reality of the system, that it is in fact the case that they are being targeted unfairly, that the rules have been set up in a way that authorize unfair treatment of them, and how difficult it is to challenge these laws in the courts. We need to teach them how our politics have changed in recent years, how there has been, in fact, a backlash. But we need to couple that information with stories of how people in the past have challenged these kinds of injustices, and the role that youth have played historically in those struggles.
The wave of punitiveness that washed over the United States with the rise of the drug war and the get tough movement really flooded our schools. Schools, caught up in this maelstrom, began viewing children as criminals or suspects, rather than as young people with an enormous amount of potential struggling in their own ways and their own difficult context to make it and hopefully thrive. We began viewing the youth in schools as potential violators rather than as children needing our guidance.
There's always been a struggle with filmmakers between art and industry, and you have to find a balance
We know form past experience that when you put women's issues or face issues on the back burner, they never get dealt with. So all struggles have to be dealt with simultaneously, but within an anti-capitalist framework. A monumental task, but nothing less will do.
The next film I have is called Miles Ahead, which is about Miles Davis, during a five-year period in his life during which he's struggling to figure out which direction to go musically and in his life. I play a record executive who's there to try to get Miles to collaborate with one of my clients. I'm excited to see that.
I've found in my own life, if you try to struggle against what the universe is telling you, you set yourself up for more of a battle.
Up until, really, Roosevelt, African-Americans largely voted ninety per cent Republican. That was the political origins, that's what their political voice was in the Republican party. During that history, that last sixty or seventy years of history, the Republican party effectively walked away from the community. They were afraid to really embrace civil rights even though they embraced civil rights legislation. And so it's not enough to just to put it on paper, you gotta actually show up and be in the community, and understand what that struggle was really about.
When you see a struggle that you may be having personally put on a big screen and in a roomful of people, then it makes you feel less crazy or alone, because you're seeing that other people are dealing with it too. You get to see in this imaginary scenario how people might try and answer some questions or deal with some problems.
We've gone thorough religious wars and civil wars. America has gone through slavery, we've all gone through two world wars, segregation. Ultimately it's been a bloody, trying, wasteful, but eventually positive struggle.
If there ever is a struggle, making a good movie will always supersede the need to be noble.
You can put your TV in the garage, avoid movies altogether, and use earplugs to spare your hearing from the sounds of hip-hop or heavy metal, but these forms of entertainment will still change your life through their influence on everyone else in society. Though you may struggle to protect your own kids from music that encourages violence or drugs or irresponsible sex, you can't possibly protect them from all the other kids in your community who have received full exposure.
I struggle against photography. I struggle against the fact that it is silent, that it is just a piece of paper on the wall, often presented in a tedious white matt frame.
Under the current U.S. policy, because of this power struggle, American oil companies can't do business with Iran. So I think the ultimate goal of the U.S. administration in Iran is regime change, to put into power a pro-Western government that will eliminate the strategic challenge to U.S. interests and, at the same time, allow the lifting of sanctions and allowing American oil companies to do business with Iran.
