In terms of love and romance, it just seems less and less like that's ever going to happen again, or be a possibility for me. I feel like I've irrevocably lost so much. You want the surprise, but it gets harder and harder to find, whether we're talking about romance, or somebody else's song, or your own song.
I think we invent jargon because it saves times talking to one-another.
Think of drawing as a way of talking about the things that interest you. Think of those wonderful documents, drawings made on scraps of paper by the lesser Dutch masters while they were wandering around market places and sitting in saloons.
I thought told you to watch where you put your feet," he said accusingly. Erak shrugged. I did," he replied ruefully. "But while I was busy watching the ground, I hit that branch with my head. Broke it clean in two." Halt raised his eyebrows. "I assume you're not talking about your head," he muttered. Erak frowned at the suggestion. Of course not," he replied. More's the pity," Halt told him.
Pedagogically, we need definitions and borders. They help us get our heads around what we're talking about.
Negative talking is contagious.
The most memorably photos are layered, in good light, and have something really ineresting going on in them. If you can get all three elements into a single frame, now you're talking.
If you are the greatest, why would you go around talking about it?
I would have given anything to keep her little. They outgrow us so much faster than we outgrow them. Brian Fitzgerald, talking about his children.
Cricket makes no sense to me. I find it beautiful to watch and I like that they break for tea. That is very cool, but I don't understand. My friends from The Clash tried to explain it years and years ago, but I didn't understand what they were talking about.
I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
I don't think we're going to save anything if we go around talking about saving plants and animals only; we've got to translate that into what's in it for us.
I'm a conversationalist. I came out of a town with only 300 people. I didn't have anybody to talk to. I didn't want to talk about farming. So when I came out in the world, I started talking. Never stopped.
And I don't care if you're talking about things that are true, you're still talking about my personal life. How about I go peek in your window, take what underwear you wore last night, whose husband you were fucking, and shove that in the megaphone throughout your neighborhood? How does that feel? It's none of your goddamn business.
I get scared of a lot of attention. I get scared of the spotlight. And I'm not talking about on the basketball court.
So basically, I don't know what I'm talking about. But maybe I do.
I loved the feeling of talking and having somebody really listen to what I have to say. It was like a high or something.
One by one, the others all nodded their heads again, as if we were talking about having a spring picnic instead of going up against the deadliest woman in Ashland and all of her men.
I'm out talking about this company (General Electric) seven days a week, 24 hours a day, with nothing to hide. We're a 130-year-old company that has a great record of high-quality leadership and a culture of integrity.
I use a pseudonym, because my real name is very difficult to pronounce, to remember, and to spell. And many people who have been talking about me on television have yet to pronounce it correctly.
We cannot embrace the New Mind by just sitting around and talking about it. It demands that we alter not just our thinking, but our way of living down to the smallest details.
Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.
I don't care what sport you're talking about. What you see with great franchises is structure - a structure that doesn't just take you from year to year, but day to day.
I don't want to be some actor talking about how he wants to be a musician. It's something I'm really passionate about and I don't want to be spouting off at the mouth about something before it's out there and can speak for itself.
I write a lot from instinct. But as you're writing out of instinct, once you reach a certain level as a songwriter, the craft is always there talking to you in the back of your head...that tells you when it's time to go to the chorus, when it's time to rhyme. Real basic craft... it's second nature.