Texture Quotes - Page 4

I look at the textures, surfaces, colors, and the individual objects in the painting. And then I wonder: what are the relationships among them? Those relationships are everything.

You know, that was the first time [with Any Winehouse] that I probably ever used a baritone sax. And it's certainly the texture that, you know - it's all over the record 'cause it's a nice compliment to her tone.

I studied shades, textures by painting after the Old Masters, the classical European paintings, as part of my educational process.

It's a man's world, they say; but in its daily textures it is a world created by and for women.

I love playing the melodic stuff. I love adding textures and colors.

You must understand the texture of your hair before you choose a style.

Superstitions add texture to life.

I know texture is really important, but I think texture and stuff precedes songwriting a lot of the time these days.

Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.

Radio voices have a solid, even texture.

The shape and texture of fruit is sensuous and fascinating, but the true delight blossoms when you experience the flavor of these colorful gifts of nature.

The digital formats keep changing so rapidly. I feel like so many people are shooting digital but the quality is being lost. There's a texture and a richness to the 35 format that's incomparable.

There is more to be pondered in the grain and texture of life than traditional fiction allows. The work of essayists is vital precisely because it permits and encourages self-knowledge in a way that is less indirect than fiction, more open and speculative.

It was a texture. The blackness was so intense.

A master of tone and texture and an authority on the bizarre, Karen Russell writes with great flair and fearlessness.

It sounds otherworldly and mysterious, submerged under a bed of spacious texture. A place of awe where don't have answers to all of your questions.

I love playing with words and texture.

Where Snah [Hans Magnus Ryan] is a melody and texture man, I am more of a riff, rhythm and concept guy. I am much better than him in certain fields, and he surely wipes the floor with me in others, and we both know it's like that.

Learning not to crumple before these uncertainties fuels my resolve to print myself upon the texture of each day fully rather than forever.

With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.

A little bit more than 50% of what you see on screen is handcrafted and the other 50% was about emulating these textures on the computer. However, for us, when we were making it, we had to believe it was all handcrafted.