Together Quotes - Page 180

If destiny could bring two people together, then it could just as easily tear them apart, and, if it could tear two people apart, then it could just as easily bring them back together again. There was no beginning, middle and end to destiny. It wasn't neat and manageable. It was random and scary.

Being attractive and being credible can and do go together.

We're all in this together - when one writer succeeds, all writers succeed. I love discovering new authors. I think we need to take care of each other and talk about craft and nurture talent.

It was important to me to put together a future history that would scan, and serve as the backdrop to the domestic story. Economics is really what drives the plot.

Black and white players hadn't appeared together in public before Teddy Wilson and I began working with B.G.

You can do a lot of things with git, and many of the rules of what you *should* do are not so much technical limitations but are about what works well when working together with other people. So git is a very powerful set of tools.

I was never a "big thinker". One of my philosophies in Linux has always been to not worry about the future too much, but make sure that we make the best of what we have now - together with keeping our options open for the future and not digging us into a hole.

Sometimes we are given exactly what we need. The precise people that you need the most come stumbling into your life. Sometimes you don't notice, and this is very sad. Sometimes you lose them again. This is sad too, but not as sad. Because what you have once had together you have forever.

An educated man is one who has the loves and hatreds together.

I like to be comfortable but I also like to look put together all the time.

Im just a lipgloss, blush and mascara kind of girl. I like playing with a bright lipstick or a heavy eye... But not together!

Sitting in a studio with Oli [Sykes], or going back and forth with Adam [Young] on his tracks, it's so much more fun than something really structured and put together.

I can be whatever. You can be whatever. We can be whatever. Whatever, together.

There were worse things to be than sexist. For example, you could be the sort of person who pinched your fingers together while using the words “teeny weeny.

In four days, I experienced five seasons. It was thirty, it was sixty, it was ninety, then it was twelve! And on the last day, there was thunder, lightning, and snow - together! And I hadn't done drugs.

Jim Carrey can do anything he wants, right? There are guys like that. I'm not one of those guys, so my career has been cobbled together with what the universe has put in front of me.

The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.

The scientific and technological discoveries that have made war so infinitely more terrible for us are part of the same process that has knit us all so much more closely together.

What I loved about [The Other Woman] movie was the same thing. It was three women who would never have come together for any other reason except that they had something in common which was this common cause, and that's really the feeling that I wanted this movie to have. It was a huge influence for it.

You have to have a good script. You have to have compelling and complicated characters that you want to hang out with. Also, since you're going to be living with your crew and cast, I think it's really critical to create a great working environment, because we're spending so many days, so many hours together.

The film is therefore a form of science fiction, in which humans, beasts and machines are on the verge of extinction - 'sacred motors' linked together by a common fate and solidarity, slaves to an increasingly virtual world. A world from which visible machines, real experiences and actions are gradually disappearing.

My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.

I say that in narrative paintings one should mingle direct contraries close by, because they produce strong contrasts with one another, and all the more so when they are very close together; that is, the ugly next to the beautiful, the big to the small, the old to the young, the strong to the weak; in this way you will vary as much as possible and close by.

All the elements will be seen mixed together in a great whirling mass, now borne towards the centre of the world, now towards the sky; and now furiously rushing from the South towards the frozen North, and sometimes from the East towards the West, and then again from this hemisphere to the other.

Randy Newman and I grew up together in Los Angeles. We are both products of the film studio era. Randy is one of the great songwriters of our time and one of the fun people to be with.