I lost track of it thereafter. I wish I had a piece of it. That would have been very, very nice. It was one of those little things they get you on the Bond and then suddenly your face is every which way.
I have read that during the process of canonization the Catholic Church demands proof of joy in the candidate, and although I have not been able to track down chapter and verse I like the suggestion that dourness is not a sacred attribute.
Underground comics were striking in that they seemed largely unedited - in a typical book, with stories by five to ten creators, some stories would be shockingly bad, and others would be startlingly brilliant. This was a lively and exciting combination. The artwork and stories, good and bad, were all so different - I'd stare at the pages and lose track of time. This was a world where anything could happen, and I wanted to go there.
After working as a producer on many pop, electronica and some soundtrack, incidental music projects, I became more focused on film and TV scores.
I went for a more classical approach to filmmaking with lots of dolly, track and cranes, and slightly slower, more choreographed fight moves, so you get more fight moves in one take.
It's a very different experience shooting in 3-D because the camera rigs are so large. Everything we've become accustomed to in the last ten years as filmmakers, which is cameras getting smaller and smaller and you can just throw them on your shoulder and stick them in a car and do whatever you want, you can't do any of that now. You're forced to put things on dollies and track and cranes.
GPS are everywhere. They are in cars. They were even in the half-tracks that, initially at least, were going to make the ground invasion in Kosovo possible.
Let their music skill speak for [itself]. If they are producing good tracks and are resonating with their fans, or even gaining new fans, then that's great.
I'm a very competitive person. I always have been. And it's hard to be competitive about something as amorphous as acting. But you can be competitive on the track, because the rules are very simple and the declaration of the winner is very concise.
I sing both in my shower and in my car, mostly in my car, because I have this weird thing - whenever I'm singing to the radio - my friends kind of hate it - but I pick out the harmonies in my head, and I'm singing the harmonies to the tracks and I'm jamming it out.
A lot of the Beatles albums were very various, and we did it on purpose: We didn't want the next track to sound like the last one.
So, I'm not impressed by BP's promises and I'm not ready to take the word of a company with a track record of pursuing profit over safety.
I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.
I'm really blessed with the people in my life who keep me on track and keep pushing me forward.
Any kind of sequence when you have to express physical space and time can be difficult to story-tell because, if you're sitting there watching it like it's a play or something, your mind can track what's going on, or if you're watching an actual fight you can kind of track what's going on, but as soon as you have to start telling the story and tracking for the audience, it becomes much more complicated.
I had this fascination with four-track recorders when I was in high school.
I have a database of all my works that I maintain to keep track of works and editions.
The neuroscience of consciousness is not going to stop in its tracks because some philosophers guesses that project cannot be productive.
Zealots are like one track-pony. Don't get in their way without expecting to get hurt.
He can stop me in my tracks, but he can't make me do someting I don't want to
I have a relatively good track record.
Beauty Is the fume-track of necessity. This thought Is therapeutic. If, after several Applications, you do not find Relief, consult your family physician.
I cannot keep track of all the vagaries of fashion, Every day, so it seems, brings in a different style.
There was always this sort of weird process in the development and pre-production, thinking, 'How do we get the studio tracks that Joy Division recorded that are so clean and pristine but sound rough and live and how do we get the live versions to actually sound clear enough so you can make out what they're saying?' That was sort of the frustration with Anton Corbijn and myself, figuring out how we make that work.
By the time the people asking the questions are ready for the answers, the people doing the work have lost track of the questions.
