Watches Quotes - Page 58

A man, like a watch, is to be valued for his manner of going.

I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.

Let us do the work that is before us, so that when our time here is over we will all watch the sun go down as we all must, and say truly, we have prepared our children for the dawn.

I don't watch rushes. My whole thing is to try to stay in the moment with the other actor, and to let it all hang. I'm not sure I'm right on that, though.

There are films that I've made that I like a little bit more than the others. But the films that I mostly watch, and see over and over again, are not my own.

I don't go to the movies much anymore. There's very little that draws me. I watch mostly the older stuff, and I often don't sit through the new films.

When I was just starting out in the business, I used to love to watch Lorne Greene doing the Macy's Thanksgiving Day Parade. I said right then, 'That's what I want to do someday,' and it's been one dream that has come true.

A watch is the most essential part of a lecture.

There is one thing about Englishmen, they won't fix anything till it's just about totally ruined. You couldn't get the English to fix anything at the start. No! They like to sit and watch it grow worse. Then, when it just looks like the whole thing has gone up Salt Creek, why, the English jump in and rescue it.

I do an opening in 'The Glory of the World' play at BAM, and then I go up to the high balcony in the back and watch the bulk of the play, but then I have to leave my seat about seven to 10 minutes before the end of that final big scene...and it's a bummer.

Whether or not Big Brother is watching us, we certainly have to watch him, which may be even worse.

I never thought I would be doing something with television. It changes just in the fact that you walk outside and watch your step and not trust too willingly. Other than that I have stayed true to myself, kept my old friends, and the whole good deal.

We do not see the danger clearly enough that we develop images adequate to our state of civilization. When you watch TV, you know instantly that there's something wrong with the images. When you open a magazine and see the ads, you know there's something wrong with the images. And it's unhealthy and not good and outright dangerous, in my opinion.

It seems odd, but people who see my films normally take them in in a deeper way than you would actually watch a film, let's say The Terminator or whatever.

if they make me watch that movie one more time, I will fall down on my knees and beg for mercy

Everyone who watches me play knows I am an honest player.

Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.

Whenever you show up on a set where you haven't been from the beginning - at least myself - I'm kind of quiet. I just watch the politics and how everything unfolds.

I have no interest in non-fiction. I don't read it and don't watch it and don't write it, other than a little journalistic column.

On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.

In 'Hell Ride,' I play a biker - it's about the bikers. It's with Dennis Hopper and Michael Madsen, Larry Bishop and myself. We're bikers, and I play Billy Wings; I've got all sorts of wings, and you have to watch the movie to find out what the wings are about.

I'm not one of these people who says, 'I don't watch TV much.' Or looks down their nose at TV and they watch it for 20, 30 hours a week. I'm so busy. I work seven days a week that I just don't watch TV.

I should mention Vittorio Storaro, who was Bernardo Bertolucci's cinematographer. You watch those films and they are exceptional.

If you tell the story emotionally in a truthful way, then you start naturally looking at the landscape and thinking "Wow, we have to watch out."

'The Pianist' is a movie I could watch over and over again.