Writing Quotes - Page 204

I would like to do a lot more of it, I feel comfortable with it and basically it's all in the writing. I'm not a personality type actor, I need a good script in order to be funny, but it's definitely something that I like doing.

You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.

You fail only if you stop writing.

Aristotle writes that persuasion is based on three things: the ethos, or personal character of the speaker; the pathos, or getting the audience into the right kind of emotional receptivity; and the logos, or the argument itself, carried out by abbreviated syllogisms, or something like deductive syllogisms, and by the use of example.

He that writes to himself writes to an eternal public.

Talent alone cannot make a writer. There must be a man behind the book.

If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.

Here's the secret of writing: there is no secret.

Find out the reason that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself you would have to die if you were forbidden to write.

That's writing for you: when you make space for passion, it doesn't turn up.

You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.

When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.

Ah, you're the one who wrote the letter. So you can write then.

It is not histories I am writing, but lives; and in the most glorious deeds there is not always an indication of virtue or vice, indeed a small thing like a phrase or a jest often makes a greater revelation of a character than battles where thousands die.

Imagination plays too important a role in the writing of history, and what is imagination but the projection of the author's personality.

The first draft is just a skeleton-just bare bones. It's like the very first rehearsal of a play, where the director moves the actors around mechanically to get a feel of the action.

A lot of crime fiction writing is also lazy. Personality is supposed to be shown by the protagonists taste in music, or were told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.

My brother could not write about trifles. Even in society he became animated only when some serious discussion was engaged in, and he complained of feeling 'a dull pain in the brain'--a physical pain, as he used to say--when he was with people who cared only for small talk.

Writing is the hardest work in the world not involving heavy lifting.

I'm a very dull passenger. I don't speak. I don't have sex. No alcohol. I don't do drugs. The thing that I like about flying is that I feel like I can really concentrate. I used to write many things, and many ideas for my movies belong to this moment where I'm not anywhere specifically in terms of time and space and geography. I am suspended, and this suspension fits me very well.

Much of songwriting is simply a mystery.

Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form.

I've hung out in the writer's room a few times, but the fact is we've got such a good writing staff, I don't want to get my peanut butter fingerprints on anything.

I think writing is a much more personal thing.

If I could sum it up in 50 words, I wouldn't have needed to write a whole novel about it.