Long hair is a security blanket for me. I cut it short a few years ago and I really never want to do that again. When I do cut it, I cut it myself.
Partnership is the way. Dictatorial win-lose is so old-school.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
I started making music because I could.
As long as I can say what it is that I need to say, then I'll fit whatever I'm trying to say around a melody.
There were a lot of people who were a little afraid of the rage or blaming stance I was taking, and find what I am doing now more refreshing.
I didn't want to be one of those women who wake up at 63 years old and realize they've missed the window of opportunity for marriage and children.
And ultimately the people who produce my records, they know that they're here to serve the purpose of me expressing who I am at this period of time and augmenting that or pulling it forward and I love that process.
Trauma happens in relationships, so it can only be healed in relationships. Art can't provide healing. It can be cathartic and therapeutic but a relationship is a three-part journey.
I love songs that are very autobiographical.
Beauty is now defined by your bones sticking out of your decolletage. For that to be the standard is really perilous for women.
When I start writing songs and it turns into an overly belabored intellectual process, I just throw it out.
My parents offered me the idea of ceilinglessness. There was no limit in terms of what was possible; no messages sent to me to say that I couldn't do anything.
My brother says that I was writing songs about fate while he was off playing soccer. Now I tell him he's 33 and being a professional while I'm playing soccer with my friends. Ha!
Over the last couple of years, I've really worked toward balancing my life out more, having a little bit more time with friends, family and my boyfriend. There was a period of time when they were way down the list. It was all about music and touring and if everything fell by the wayside, so be it.
There's cleanliness to how I eat now. I'm much more in tune with my body, so now that I'm so in tune based on having become a semivegan, I can tell what foods affect energy levels. I can tell when I've been eating particularly high nutrient foods or I can tell when my glycemic levels are all over the place.
What I try to keep in mind is that there are going to be a lot of articles that are going to be misrepresentative of what I'm about as a person and as a writer.
There's a continuity between what I care about in any form: I care about it in my music, in article-writing, in how I dress, in how I live, in my relationships, in how I navigate paparazzi, how I decorate my home. There's such a continuity between everything that I don't really care what form it shows up in.
When I was producing on my own, I was doing it in order to - in a very patriarchal entertainment industry, let alone planet - very much hell-bent on trying to prove to myself, if nothing else, that I could do it as a woman.
The thing I always default to is that I'll always be here to write songs.
As a teen, I was both anorexic and bulimic.
First I was 'angry,' then 'spiritual.' Now I don't know what I am.
I'll be writing songs till I die. There's just no question.
Love is thick and it swallows me whole.
The joke that you laid in the bed that was me.