Amber Heard Quotes - Page 4

I take the sexy girl parts and try to give them something else and make them a character.

I think there's an instinct to make grotesque horror films that are purely carnal, like the 'Saw' movies.

I do not hope somebody breaks in. However, if they did, I pity them. I pity the fool that breaks into my house.

When I go into making a movie, personally, I don't try to bring other pieces of movies with me. I think that finding a character, relating to her and making her as real as possible means forgetting all of that stuff and just trying to find the truth, in that particular character's words.

If you've been seeing someone for a short while and the "relationship" winds itself down mutually but not explicitly, no postmortem is necessary. But a real relationship should have a real ending.

Trying to film a movie on a diet is hard enough, I can't imagine how it would be on drugs.

I think my mother realized she had a somewhat unusual daughter pretty early on.

Im not the kind of person to just sit back and lose something I worked hard on, so, naturally, Ive taken steps to be further involved in a process when most actors arent.

I'm no mechanic but I can change my oil and I know what to do when I get a flat tire and I can hot-wire it in an emergency.

It's rare to have even half-meaningful conversations in the film industry.

When I go into making a movie, personally, I don't try to bring other pieces of movies with me.

Hollywood can be a draining industry. For all the glitz and glory and wonderful parts of our business, it takes it's toll on your inner self.

I don't want to be labeled as one thing or another. In the past I've had successful relationships with men, and now I'm in this successful relationship with a woman. When it comes to love I am totally open. And I don't want to be put into a category, as in "I'm this" or "I'm that."

[Johnny Depp] a wonderful artist, and such a talented person. I got along with him, splendidly. He's charming and wonderful to work with. He's a dream.

We all appreciated a certain aesthetic, and with that appreciation came a certain stylized presence.

You know, I've kind of been lucky enough to always work with established actors or big names or people that are really popular or infamous for doing what they do and doing it well, I guess.

I'm a big horror fan. I'm a genre fan. I like to make these movies. They're my favorite kinds of movies to make.

There's something nice and valuable and wonderful about the suspense and the classic horror that doesn't just crutch on blood and the almost pornographic view of fear.

[The Rum Diary] is a prestigious movie and it's got a great, talented cast, so they wanted to make sure they had the right person for the role, but it was a torturous process. It was painful.

I've made movies that were adaptations and I've been kind of frustrated by the process because, you know that old axiom, 'It's never as good as the book'? It's often true because nothing competes with your own imagination. When you're reading a book and you imagine something in your head, nothing's going to compete with that.

If you're not seeing each other anymore because things are so strained, and your only communication is a weekly e-mail, and you're wondering which medium is most appropriate for announcing your desire to break up - guess what, you've already broken up.

For the most part I pick movies based on the merit of the script, and the merit of the script only.

I love things that have a vintage feel to them, just because there's a certain texture to them that we just don't have anymore. In fact I think I've been stuck in the 50s or 60s for a while...

Like most girls, I constantly have to watch my weight, because if I didn't my curves would get ahead of me.

I buy records - vinyl. I have a record player at home.