Ayana Mathis Quotes

I try to find the beauty in things. On dark days, I sit in my armchair looking at clouds and I am awed at how rain is made.

I think that if you just write your characters you end up with something that people can access.

Half of what's wrong with people today is that they ain't got no place to go that makes them peaceful.

One of the things that writers worry about is finding a voice. I don't think it's a thing that you find so much as it is something that comes to you, or that presents itself.

Even if you don't feel like sitting down to write or working on that big proposal, or whatever it is, just show up anyhow and the rest will follow.

If there had never been the Great Migration there would never have been jazz, there would never have been Michelle Obama. A lot of amazing black people exist in this country because of the Great Migration. That's nation-building.

You have to find a way of shutting the future out and focusing on the writing. One of the problems I'll have with writing my second book is getting back into a situation where I think about the words on the page rather than the publishing industry, or success, or any kind of readership I may now have. I'll have to do what writers do, which is focus on the story and nothing else.

Fiction writing is an act of imagination, lived experience is secondary in many ways, writing a novel really is all about inventing worlds and people.

Voice isn't fixed or unmalleable, it adapts to the characters you are creating and the story being told. I suppose in some way that's true in life - a little flexibility goes a long way.

There were class differences among black people then and there are class differences among black people now. There is still an assumption among many people in American society that being black is its own class, a blanket class. That, I believe, is an erroneous and deeply offensive view.

Racial terrorism affects the lives of white people and black people and everyone, everything. Racism is contaminating. It can affect the dogs in the street. So the process of beginning to rid the country of prejudice was in itself a kind of nation-building.

I think that the project of being alive is to be alive. So there will always be twists and turns and steps forward and steps back, but that's just your life. There is no sort of place at which to arrive, and I think that the more one focuses on an end point, the harder it is to get there. It's like the horizon, sort of ever receding, ever receding, ever receding.

I think that people have some sort of vision that everybody is moving towards perfection, and that there is some sort of set steps or something like that that you can move through to get to that place, and that that's sort of the project of being alive.

I've been writing all my life. Even though I didn't have sort of careerist aspirations as a writer, it was very much my identity.

I really, deeply believe in the primacy of character. I believe that my job as a writer is to put a believable human being on a page.

There is a forgotten black middle class in America - a group which is huge but underrepresented in the media and in art. It's difficult to talk about these things, because it forces one to talk in generalities, but that's my view. I do think the idea of a blanket class for black people is unfortunately still present.

A belief in God may not be fully within me anymore, but there's still a belief in belief. The high drama and power of the Church has stayed with me. As a child in church, I saw grown men at the altar crying out for God's mercy. And the idea of someone doing that has become a joke in the popular culture, but when you are there and you see it, you experience - for a moment - an incredibly raw, honest, strange insight into what it means to be a human being. Those experiences don't leave you. Whatever you think of them, they are powerful experiences.

I like to say I had a very varied undergraduate education. I was an English major first, and then at the end of my college career I decided I was interested in urban planning. I became an urban studies major, with a minor in poetry. I don't think I knew what I was looking for in my early twenties, but I know I kept not finding it.

I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.

The ways in which theological constructs pose questions about what it is to be a human being on this earth are deeply elegant and deeply interesting to me. I may not always agree with the answers religion offers, but I take great interest in the questions it poses.

Certainly I had from an early age a sense of the power and beauty of religious texts - the awesome magnitude of the Bible stories I was reading as a child. The hymns. The sermons. I can still vividly hear the sermons and the pieces of soft piano music played after them, the preacher asking if anyone wanted to come up to the altar and accept Christ as their savior.

All of us, writers and non-writers alike, have incredible well-springs of personal experience and history. And we also have imagination - which I think is a kind of human miracle.

At some point I just acknowledged, at least to myself, that I had a great deal of respect for people of faith. Faith is a strange and wonderful thing. You come up to a kind of wall of unknowing and instead of turning back in despair you leap over it into something else. The Church isn't why I'm a writer, but it's probably a part of it.

By sixteen I thought, "Ah, this is all crap, you're all sheep, I'm not going to church, leave me alone." And then at a certain point in my teens I started to go to Catholic churches, by myself. Not because I wanted to be Catholic, but because I wanted to light a candle and say something like a prayer and just sit there. There was something I was missing or trying to reconnect with. But it was a secret at the time. I'd developed this cynical persona and the last thing I wanted to admit was that I was skulking around churches in my spare time.

I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose.