You've got to be original, because if you're like someone else, what do they need you for?
No One Is Alone by Stephen Sondheim is all about thinking for yourself and being your own person.
I lost a very dear friend who lived with AIDS for about 17 years. Rejecting early treatments that were iffy, he thought he saved himself. I really miss him a lot.
Singing lessons are like body building for your larynx.
When something isn't done, you want to do something about it.
When I grew up in the '60s, your hair had to be straight and you had to be skinny and have no boobs, and it was like not my era.
Working on behalf of companion animals is so important. We start to realize how healing they are.
It was like being high when you reach those high notes.
"Into the Woods" was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
I've been fortunate in my career to have performed in revivals of great musicals and to have originated roles in musicals that have in turn been revived. And I'm not dead!
I don't smoke, I don't drink much, I don't eat red meat. I stay out of the sun.
George M. is where I met my dear friend Joel Grey. We connected at rehearsal one day during a five-minute break. We were both looking out the same window and we knew in five minutes that we'd made a connection.
Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there's great truth in the songs, and that's what was so wonderful to find.
In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Anton Chekhov. The scariest part was playing Chekhov!
Getting plenty of sleep is always great. It really is. I have a girlfriend who's sending me a slant board.
You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.
I'd like to one day play Amanda, the mother, in The Glass Menagerie.
I think my manager of 30-some odd years now, Tom Hammond. He's as fine a person as you could ever meet. And he's had great theatrical taste and has influenced me that way.
It Might As Well Be Spring... I used to sing that as a young girl in my voice lessons. Then I picked it up again and it spoke to me in a whole new way.
The challenge of film is making it right there at that moment, and then you get to move on.
I feel strongly for gay marriage to be accepted.
I love Some Enchanted Evening, and If I Loved You. And as I sing them more and more, I find new favorites.
The first big lead that I had on Broadway was in a show called La Strada.
I love pasta with the homemade marinara sauce I had as a kid.
When there's a terrible illness like AIDS sweeping through, you help people.
