I've been touted for my guacamole. I'll stand by my method. People have asked me to come to their home and prepare it. Restaurants have asked me about it.
Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.
Water doesn't hurt a vinyl record. Put it into a dishwasher and you're fine.
Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.
Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
Having a visual element to your band is a good thing.
My mom took my sister and me to see Elvis [Presley] in concert when was, maybe 5 or 6, and I liked everything about it.
There's not a single genre that is hard to find or hard to get.
In 1950, the biggest amp you could get was no bigger than a tabletop radio.
When I was around 7 or 8 my Dad took me to a B.B. King recording session, well, that really did it. Huge and lasting impressions. After all that I pretty much knew playing guitar was something I was going to do because I just had to do it. And I did.
Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.
I probably owe as much to Jeff Beck as I do to Son House with connections to the blues.
Sooner rather than later, any other form other than digital media will be a thing of the past. It won't vanish, but let's face it, this is seemingly the way of the future.
Most of the reggae awareness is still among music industry people and people who are already into all types of music.
