Channing Tatum Quotes - Page 6

I grew up in Florida, where if you weren't comfortable dancing, you weren't going to get any girls.

Getting hurt and narrowly escaping death is sort of a thing for me.

I believe in love. I believe in good stories. I play really hard on the weekends because I like to have those stories. My wife and I go off and do craziness all the time. We're just like, 'What can we go get into this weekend?' Then we have other ones where we just sit and do nothing and then we have work that we do. It's all memories.

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

I don't think there's a date minimum or maximum. I don't get the whole 'All right, you've got to wait three days to call after the date.' If I got a number from a girl, I'd call that night. There's no science to it for me. You just do what it is that you feel like doing.

I write, but I don't write poetry. I don't rhyme or anything like that.

I can sit underneath the shed with all my family, my cousins, and everything, and just be like, "Yeah, this is what it's about - just sitting with people you love and hanging out."

I know I will never wear sandals now anywhere. I got in a fight in the back of a grocery store when I was really young, like 14 or something. And I remember my feet were so torn up afterwards because I lost my sandals in the middle of the fight. My toenail was missing. It just sucked.

I was terrified to do 'G.I. Joe.' I had no idea how to do one of those movies. I was kind of scared. You know, if one of those doesn't work, it's a huge hit on your career. People are like, 'Well he couldn't make a $170 million movie work. I don't want him in my film.'

There are so many dramatic actors where I would give all of my anything to have their careers, but I don't think I can try to follow anyone.

A Guide To Recognizing Your Saints' was the first real actor-actor part I did, and I hope I to do more. Action movies are fun, but I'd be happy not to do them if there are better roles.

I had a bad stutter when I was really young. I couldn't get a sentence out. Like, 'D-d-d-d-d-d-d-d-ad.' And that turned into a mumble.

Channing does a very good impersonation of men at female strip joints.

I have the flying dream a lot where I'm jumping off a building and just flying around.

I really get inspired by songs. Like, if I hear a thug "Want to kill ya" song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.

If I want to do action, you don't really get to do it. They don't let you, there's too much on the line to let you jump out of a building.

For me, it's always filmmaker and then character and then story. They're all equally important but if you don't have a great filmmaker, you will not have a great film unless you just get lucky.

In all the movies I'm in love with someone in my head. There's always love in a film somewhere. It doesn't matter even if it's an action movie.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

I still want to write Clint Eastwood a letter saying, 'I'm sorry, I'm sorry for all us wimp actors. You're the truth.' I guarantee he's not the person you want to fight, even now! You look at him, and you don't want to mess with him. He would still take you down.