Chris Van Allsburg Quotes

At one time, most of my friends could hear the bell, but as years passed, it fell silent for all of them. Even Sarah found one Christmas that she could no longer hear its sweet sound. Though I've grown old, the bell still rings for me, as it does for all who truly believe.

I write for what's left of the eight-year-old still rattling around inside my head

its not bad to be different. Sometimes it's the mark of being very very talented.

The idea of the extraordinary happening in the context of the ordinary is what's fascinating to me

The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.

I don't think ordinary things are very interesting, so I try to imagine a world that is less ordinary.

An award does not change the quality of a book.

Some people may contend that there is no image more charming that a child holding a puppy or kitten. But for me that's a distant second. When I see a child clutching a book... to his or her tiny bosom, I'm moved. Children can possess a book in a way they can never possess a video game, a TV show, or a Darth Vader doll. A book comes alive when they read it. They give it life themselves by understanding it.

At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.

There must be something to think about at the end.

The Polar Express is about faith, and the power of imagination to sustain faith. It's also about the desire to reside in a world where magic can happen, the kind of world we all believed in as children, but one that disappears as we grow older.

Following my muse has worked out pretty well so far. I can't see any reason to change the formula now.

Though I’ve grown old, the bell still rings for me as it does for all who truly believe.

I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.

The inclination to believe in the fantastic may strike some as a failure in logic, or gullibility, but it’s really a gift. A world that might have Bigfoot and the Loch Ness Monster is clearly superior to one that definitely does not.

My ideas are not meant to suggest dreams or reality, but a surreal quality.

Some artists claim praise is irrelevant in measuring the success of art, but I think it's quite relevant. Besides, it makes me feel great.

I pore over every word on the cereal box at breakfast, often more than once. You can ask me anything about shredded wheat.

The Polar Express began with the idea of a train standing alone in the woods. I asked myself, What if a boy gets on that train? Where does he go?

If you don't know where you're going, stop racing to get there. -- from Just Desert by M. T. Anderson

I have lots of ideas. The problem for me has always been which one to do.

The Polar Express was the easiest of my picture book manuscripts to write... Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up.

I think most people agree there is a component of skill in art making; you have to learn grammar before you learn how to write.

Santa is our culture's only mythic figure truly believed in by a large percentage of the population. It's a fact that most of the true believers are under eight years old, and that's a pity.

As much as I'd like to meet the tooth fairy on an evening walk, I don't really believe it can happen.