My daughter's 19. I'm not asking her to develop as an artist. I'm just asking her to develop as a full person, human being.
I've signed with major labels, and I haven't had any control over the money.
I'm a multi-tasker. I was down with that stuff before they invented the term.
I think the Internet was the saving grace for Public Enemy. Before that, travelling the world saved Public Enemy.
You have to wait for people to program you. The only difference is the amount of people that you're going to reach but that's going to even out in the next two or three years anyway. Computers are being bought faster than televisions right now.
The immediacy of the technology of the web allows us, as songwriters, to write something very sharp and quick. That has a lot to do with helping a songwriter be more reflective of reality, instead of being in an area where you have to process things. It's the difference between processing fish and catching it in a boat.
DJ culture always made us aware that the best records were going to come from the small shops
Bass! How low can you go? Death row...what a brother know. Once again, back is the incredible, The rhyme animal, the uncannable "D!" Public Enemy Number One. Five-O said, "Freeze!" and I got numb. Can I tell 'em that I really never had a gun? But it's the wax that the Terminator X spun.
Black folks are judged by quantity, not quality. It's a decimal point or figure. How different is that from slavery? There's no moral code, it's just about successful business for America.
In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.
You're always going to sound like yourself, but you can make really strong attempts to keep some similarities, but move away from what you did before for popularity's sake.
Eminem has talent, and his talent is the thing that influences many young people who would have never gone anywhere near rap. White kids in different parts of the world use him as a barometer and the standard to live up to. In some ways, Eminem is an artist who has ushered in a new movement.
As black people we were out to further our equality. I don't pay attention to the controversial connotations put on by media and the undermining labels they place on us. We pay attention to what our community situation is and what we need.
We were coming out of the black community with this thing called rap music, which was basically black men yelling at the top of their lungs about what we liked and what we didn't like. It was disturbing to the status quo. It really shook things up. And those in power didn't know what to make of us, but they knew that we had to be silenced, stopped in any way from expressing our outrage.
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.
Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.
I would like to say is that to be truly American and represent American ideals you need to consider yourself a citizen of the world. American policy has gone contrary to that ideal. The Bush Administration is bent on making the world submit to "Americanism" instead of becoming a member of the world community. This orchestration comes from the very top of the Administration and has pushed America into a corner. So, rather than trying to humbly mix with the rest of the world, we are forcing ourselves upon it. We seem to create conflicts with everyone.
I want to always move forward with everything I am doing. So, I do the radio show, speak at universities and other social institutions all around the world, appear on TV, and continue to create music all in the hope to keep the struggle alive.
I know I am judged unfairly by my physical characteristics and ostracized because of that so I say, "Yes, I'm a black man."
The biggest thing that has happened to hip-hop is the clinging on to the corporation as the all-mighty hub of the music.
I always remain optimistic.
Being called Black in America is the struggle to keep us moving and breathing over bloody water. Being a Nig**r or [Ni**a] without the context of history is like drowning in bloody water, dragging down those yet knowing to swim.
It's not about what you get out but what you put into hip hop as a genre.
Some artists are told what to like and told definitions of what the music business is. That's a problem. Music is artistry, and you want your music heard, your act known. But artists don't know. They are ignorant the minute they sign a contract.
There's nothing worse than a good video and good song, and you see a band and hate them because they can't perform. That's wack.
