Clive Barker Quotes - Page 4

Even winter — the hardest season, the most implacable — dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.

It is great good health to believe as the Hindus do that there are 33 million gods and goddesses in the world. It is great good health to want to understand one s dreams. It is great good health to desire the ambiguous and paradoxical. It is sickness of the profoundest kind to believe that there is one reality. There is sickness in any piece of work or any piece of art seriously attempting to suggest that the idea that there is more than one reality is somehow redundant.

Mutilation is the badge that can never be taken off, and sets us apart from all others. Pain is important to the bonding-a physical horror that bonds us ever tighter to all those who have partaken. The intensity of the experience helps to widen the gulf between us and those who have not shared.

There must still be room for the falling note, of course. Even in an undying world there are times when beauty passes from sight, or love passes from the heart, and we feel the sorrow of partition.

I can see in your eyes that there’s no seam of untapped joy left in you. The best of life has come and gone. Those days when sudden epiphanies swept over you, and you had visions of the rightness of all things and of your place amongst them; they’re history. You’re in a darker place now.

Witch, do this for me, Find me a moon made of longing. Then cut it sliver thin, and having cut it, hang it high above my beloved's house, so that she may look up tonight and see it, and seeing it, sigh for me as I sigh for her, moon or no moon.

But I think humans are innately religious as a species, so you don't need a specific excuse for examining the perversely unholy.

Perhaps a wiser eye than hers would be able to read tomorrow in tonight's stars, but where was the fun in that? It was better not to know. Better to be alive in the Here and the Now--in this bright, laughing moment--and let the Hours to come take care of themselves.

My life is in the art that I make, and I'm very happy with it.

I love meeting people who've read my books. The prime reason to be on the planet is to make things I can show to other people: paintings, books, movies.

It was as though in these last minutes together - when they had so much to say - they could say nothing of the least significance, for fear it open the floodgates.

Nothing happens carelessly. We’re not brought into the world without reason, even though we may never understand the reason. An infant that lives an hour, that dies before it can lay eyes on those who made it, even that soul did not live without purpose: this is my sudden certainty.

I've always thought that sex and horror belonged together.

Behind their eyes the hope was sickening and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been.

Midian is where the monsters go.

The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.

No tears, please. It's a waste of good suffering.

Writing a book is like masturbation, and making a movie is like an orgy.

I really believe that there is an enormous appetite amongst readers for an originality of vision. In other words, be true to your own dreams and there will always be people who want to hear them.

Words are sexier than flesh.

At best you can hold death at bay, you can pretend it isn't there; but to deny it totally is a sickness. And I think that horror fiction is one of the ways to approach these problems, and, perversely perhaps, to enjoy a vicarious confrontation with them.

I know that I want to bring sex and horror together as I have been able to in my books.

There’s no conscious thing on the face of the world that doesn’t know dread more intimately than its own heartbeat.

There are things that are more important than the news and what’s happening today. There are these archetypes which are part of the human imagination since humans were presumably imaginative. And I think that’s what [people] find touching, these eternal ideas. It’s one of the things that makes fantasy something that tends to stand the test of time because we’re reading, 50 years later, The Lord of the Rings.

I have the normal complement of anxieties, neuroses, psychoses and whatever else - but I'm absolutely nothing special.