Colin Farrell Quotes - Page 3

Magic is at the core of myths.

I do enjoy reading some science fiction.

At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.

I was never an A student, but I was really well behaved until I was 13 or so.

That's the process of making the film and it isn't until the world puts their eyes to it that you find out if it's creating any kind of connection at all. But every single film at some stage of the film I think, "I wonder what this is going to be?"

I'm not optimistic at all, nor am I pessimistic.

I love the grandiosity, how sweepingly entertaining films can be. And I think there's a place for films that pry more into the human condition.

I never think I'm capable of any of [action movies]! I'm always terrified, but luckily on this one it was directed by my husband [Len Wiseman]. 'I can't possibly do it. I'm too scared, I can't do it.' He says: 'Go on. DO it!' So it is shocking as I'm not one of those people who finds that stuff easy.

Her Majesty's Secret Service wouldn't have me on the payroll.

Every week a tsunami rips through poor towns and villages all over the world ... That tsunami is hunger.

I think that is what you want to do as a cinemagoer - to experience something fully. Some things don't let you experience them fully. It may be your own preordained prejudice where you can't experience them fully. But when you come out of the cinema having felt, thought, and experienced your way through two hours, that is a really cool thing.

I count 'Underworld 4' as my training period for 'Total Recall.' I do think it was hard because I didn't realize how tired I was. It is quite a lot to sustain that kind of physical work over nine months altogether and by the end of it, I definitely felt like I had aged quite a bit in that year.

I hadn't really met Colin [Farell]. It's really weird to say: 'Oh, hello, I'm Kate...I'm Colin.. shall we?' That's a bit strange. Len was fine with it. We've gone through this experience with Scott Speedman before on the first Underworld move. It was our little version of swinging. We survived that.

I'll wait to see what the film [The Lobster] is, but it's set in a contemporary world, in America, there are hospitals and diners, parks, things that we will recognize and experienced ourselves but yet there's this similar kind of uneasiness through all the interactions and all the things that take place. It was unnerving reading the script. I kind of felt nauseous after reading it.

I am more comfortable doing a drama.

I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.

It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.

I mean you can go wherever you want with it really. No matter what story you're telling you're always representing some reality. You are always representing human beings, their fears, their shortcomings, their braveries, their doubts, their loves, their abilities, their brilliance and those things inevitably lead to bigger political systems, foreign policy and crime and religion. It's an action film. We are not taking a stance about big government.

Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.

Initially, less appealing to me than the idea of a vampire that is drawn by some misgiving or drawn by some sense of longing that he can't quite satiate.

Yeah, I know my way around some guns, which is weird because I have no time for them. I don't like them at all but I can take apart guns and put them back together and stuff, so I didn't have to go to the range. I don't think I will ever to go 'the range' again! I've done enough of that.

Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.

If you need to get in physical shape for a film and you have to maintain that for six months, at the start of the film, I was never able to do it.

It's so technical. It's nothing personal. You're not fighting really, you're missing each other by a half of foot at least, ideally more and you get a few knocks and bruises. But with the kissing, you do kiss someone. Its lips on lips.

I love working with horses. People say you shouldn't work with animals and children; that's wrong. You must only work with children, because you only work eight hours a day and I love working with animals. Animals have an honesty that human beings reach to find in their lives at the best of times.