Cynthia Ozick Quotes - Page 3

In the compact between novelist and reader, the novelist promises to lie, and the reader promises to allow it.

Travelers are fantasists, conjurers, seers - and what they finally discover is that every round object everywhere is a crystal ball: stone, teapot, the marvelous globe of the human eye.

Old saws have no teeth.

What I felt then I feel now: the inexorable, unchanging interior hum of doubt and hope.

One reason writers write is out of revenge.

It's true that the young who now flock to script writing, or producing and directing, to fulfill the demands of these new devices would, in an earlier period, have been submitting to magazines and working on their first novels. But even in the midst of all these "digital products," the wonder of it is that there are still so many young writers who continue to believe in the venerable print novel as the corridor to fame and fortune.

... woman is frequently praised as the more "creative" sex. She does not need to make poems, it is argued; she has no drive to make poems, because she is privileged to make babies. A pregnancy is as fulfilling as, say, Yeats' Sailing to Byzantium.... To call a child a poem may be a pretty metaphor, but it is a slur on the labor of art.

very bright teeth as big and orderly as piano keys.

Novels are routinely denigrated when characters are not found to be likable. Is Raskolnikov likable? Is King Lear? The plethora of such naive readers testifies to a failure of imagination - the capacity to see into unfamiliar lives, motives, feelings - and this failure must, at least in part, be the failure of the teaching of literature in the schools.

The art of fiction is freedom of will for your characters.

Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea.

Imagine an American Hans Christian Andersen, conceive of the Brothers Grimm living in Missouri, and you will approximate Howard Schwartz, a fable-maker and fable-gatherer seduced by the uncanny and the unearthly. In Lilith's Cave, he once again reaches into a magical cornucopia of folklore and fantasy and spreads before us, in enchanting language, the marvels and shocks of dybbuks, ghosts, demons, spirits, and wizards.

To be any sort of competent writer one must keep one's psychological distance from the supreme artists.

All politicians know that every 'temporary' political initiative promised as a short-term poultice stays on the books forever.

What was lost in the European cataclysm was not only the Jewish past--the whole life of a civilization--but also a major share ofthe Jewish future.... [ellipsis in source] It was not only the intellect of a people in its prime that was excised, but the treasure of a people in its potential.

No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, dont confine yourself to reading fiction. Every writer is first a wide reader.

An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.

I think about fanaticism - oblivion awaits, especially for minor writers, so you have to be a fanatic; you have to be a crank to keep going, but on the other hand, what else would you do with the rest of your life? You gotta do something.

What's impossible not to notice, though - it's all around us - is the diminution of American prose: How pedestrian it has become. Pick up any short story and listen to its voice, the tedious easy vernacular that mistakes transcription for realism. This would display an understandable pragmatism if it were a pandering to common-denominator readers; but it is, in fact, a kind of hifalultin literary ideology, the less-is-more Hemingway legacy put through an up-to-the-minute industrial blender.

I can't claim to be disenchanted "with the current state of fiction" because I read so little of it. My reading is mostly drawn to history.

The secular Jew is a figment; when a Jew becomes a secular person he is no longer a Jew.

Is there a word more passionate than passion? Obsession, total immersion, the feeling that everything else doesn't matter.

I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.

If ideas are what feed serious literature and arresting language, who today is writing a novel of ideas (which can often mean comedy)? I think of Joshua Cohen. Who else?

Much of the academy on the humanities side, English departments in particular, no longer write what can pass for normal English.