We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.
'Insane Farting Corpse' is a really hard movie to do a Q&A for. The audience is still kind of reeling and being like, "I don't know what to ask."
I remember Paul [Dano] had said at one point that when he finished this film [Swiss Army Man] was the strongest he'd ever been just from lugging me around for [several] weeks.
I'll miss some of the opportunities that playing Harry [Potter] brought me.
If you're having a bad day, get on with your job, because you having a bad day can affect everyone around you.
I definitely want to go on acting for as long as I can find employment. I'm never happier than when I'm on a film set. I just want to keep working.
I would say I was challenging the system quite. But I like to think that if the choices I make are slightly unexpected or challenging to people, then that is good. We are definitely three fairly like-minded people in terms of what we value in scripts and in storytelling.
I think any man who says he has never had an awkward moment with a girl, is a liar or he's delusional because he's sitting there thinking he is doing really well and the girl is thinking "Who is this man and why is he talking to me?"
I'm certainly lucky to have got famous through something that was so well liked, generally speaking.
I really enjoy working physically.
Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?".
Every day the Daniels [Kwan and Scheinert] would come up with some amazing solution and [make it easy] to put yourself in their hands. There's something really lovely about knowing you're working with directors who know exactly what they want and exactly what they're looking for, and they're not going to move on until they have it. That, as an actor, frees you up a lot because you can [try different approaches] and they'll only use what's appropriate.
A gay murder movie is never going to be, like, breaking box office records.
I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].
Maybe it's a compliment to the film that you can't do that with it, that it can't be explained in 15 seconds.