Every individual should be expressing themselves, whether a politician or a minister or a policeman.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
And there is a time where you can be beyond yourself. You can be better than your technique. You can be better than most of your usual ideas. And this is a whole other category that you can get into.
Jazz stands for freedom.
I think the church should strive to give parishioners good music. Music is as necessary for worship as a building with a beautiful altar, artwork, and stained-glass windows. Together they create an environment conducive to worship and contemplation. We are not in church for entertainment, but to worship.
The source of inspiration can be any of the things:deep emotional experiences - say, romantic love or spiritual contemplation.I think such rare moments come only when you have total concentration. You are consumed in and by the music. I guess you could say that it is akin to contemplation. In order to reach this desirable state of mind you have to rise above the environment you're in at that particular time - a bad piano, glaring stage lights, or the attitude of the audience. Sometimes the inspiration of the other musicians you're playing with helps you reach this stage.
When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer.
Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!
There are a lot of people on the lowest rung of Jacob's Ladder, and we must somehow reach down, give them a hand, and make them want to climb. A little really good music never hurt anyone. And when people are given good music they can grow spiritually and even discover they like it.
Your mother’s heartbeat is the first sound you ever hear and your own heartbeat is the last.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.
What I want to happen is to be really creative, and to play something new in the improvisations, every time.
I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.
I was always very aware of drummers. My oldest brother Henry was a drummer, and he drummed on everything in the house from the kitchen sink to stovepipes. He was the first drummer in the Gil Evans Orchestra, so you've got to know how great he was.
The use of rock, folk, or pop music serves a purpose. It gets people into the church. But an inexperienced guitar player who doesn't have much to say, for example, can make me wish to leave the church immediately, whereas one great jazz or classical guitarist can confirm that I will have a spiritual experience in the church.
The reality for me is simple. When music is written, it is usually categorized as classical. When it is improvised, it can still be called classical if it is an inspired improvisation. In either category, it is still music, and it can be good or bad or simply mediocre.
My dad was the manager at the 45,000-acre ranch, but he owned his own 1,200-acre ranch, and I owned four cattle that he gave to me when I graduated from grammar school, from the eighth grade. And those cows multiplied, and he kept track of them for years for me. And that was my herd.
I played a lot of sports and it's the plays in basketball that weren't worked out that are the ones that are just fantastic that you remember. We don't know the power that's within our own bodies.
I had the first integrated Army band in World War II.
Most of the international acceptance of jazz education can be traced to the University of North Texas, Denton, Texas, and the wonderful program they inaugurated.
I never wanted this kind of life that Im still living.
So often people will say that I converted to the Catholic religion. This is false. Although I was raised as a Protestant, I was never baptized and had never been a member of any church. I joined the Roman Catholic Church after I had written my Mass To Hope!During the night I dreamt the entire Lord's Prayer with chorus and orchestra. I jumped out of bed and wrote down what I had heard as accurately as I could remember. Because of this event I decided that I might as well join the Catholic Church because someone somewhere was pulling me toward that end.
My own Brubeck Institute in California is turning out fantastic young jazz players, and I know great things will happen.
It's like a whole orchestra, the piano for me. And also it's to me the greatest instrument. I shouldn't say that, but I believe that this is the only instrument I can really feel happy about playing.
Over the years I've had strong friendships with many priests. As a matter of fact, a group of Christian leaders from the National Council of Churches came to my house in the 1950s to ask me to write music for a Mass. I didn't think I was ready at that time. So, in a sense, I guess joining the church and writing the Mass was a culmination of a long journey that is still going on.