From the time that 'Nevermind' came out in September of 1991 to the time that Nirvana was over, it was really just a few years, and a lot happened in those few years.
I think musicians like me are drawn to those older desks, not just because they're legend and lore but also because they do something really specific that is hard to emulate or re-create digitally.
When you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.
People should never be afraid that Foo Fighters are ever going to break up, it's like your grandparents getting divorced - it's not gonna happen.
My whole life, I have listened to people like Neil Young, or Crosby, Stills & Nash, and artists that have made a career out of the mellow, folky, acoustic dynamic.
'Some Kind Of Monster' is such a nightmare for any musician to watch because you're watching a band be honest to each other. Not a good idea, man!
There weren't a lot of career opportunities in crazy-fast hardcore punk, so you didn't have a lot of ambition, just the love and passion to play music with your friends.
Joining a band without ever having really met the people before, you just want to be musically powerful.
A musician should only sound like what they do, and no two musicians sound the same. It's an individual-feel thing, you know?
I think my biggest musical hero growing up was probably Ian MacKaye he set a great example for all of us local musicians. Still to this day I see him as the best example of a right-on musician.
Neil Young is my hero. You know what that guy has been doing for the past 40 years? Making music. That's what that guy does.
I'm obsessed with Led Zeppelin and have been since I was a teenager
I have crazy claustrophobic dreams, weird elevator dreams where the elevator closes in and all of a sudden I am lying down - oh my God, it's a casket. Just freaky stuff like that.
A lot of the records you buy, there's nothing you can hold in your hand, it's all 1′s and 0′s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.
I like the rock documentaries that make it seem real. Some rock documentaries are meant to make the bands look larger than life.
I'm happy that I have my family, and I'm happy that I had Virginia, where I grew up, to retreat to any time I felt overwhelmed. Whenever there were times when I felt like the rug was being pulled out from under me and I was floating in this crazy space, I would stop and go back to that neighborhood and realize nothing's changed, really.
I'm not allergic to fashion. I'm just one of those people who when they put on a suit look like they're going to a funeral or to court.
A long time ago, I made a promise to myself: "Okay, you know what? I'm going to play music, and hopefully I'll make enough money that I can go back to school. Once I make enough money to put myself through school, that's what I'm going to do."
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
A lot of people are promoting records that are just throw-it-agains t-the-wall-see- if-it-sticks meaningless bullshit. Everybody has the responsibility to do the right thing and promote artists that mean something.
I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.
I never went to rock concerts when I was a kid. I didn't see any rock & roll bands.
When you're recording to analog tape, it captures performance and you can't necessarily manipulate that in different ways. It is what it is.
Mick Fleetwood was one of my first interviews. And if you've ever talked to that dude, he's the sweetest guy in the world - he's just a trip.