David Foster Wallace Quotes - Page 5

But if you've really learned how to think, how to pay attention, then you will know you have other options. It will be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars - compassion, love, the sub-surface unity of all things.

Worship power - you will feel weak and afraid, and you will need ever ore power over others to keep the fear at bay. Worship your intellect, being seen as smart - you will end up feeling stupid, a fraud, always on the verge of being found out.

...loneliness is not a function of solitude.

No single, individual moment is in and of itself unendurable.

My own terror of appearing sentimental is so strong that I’ve decided to fight against it, some; but the terror is still there. . . . Do you identify with a distaste/fear about sentimentality? Do you agree that, past a certain line, such distaste can turn everything arch and sneering and too ironic? Or do you have your own set of abstract questions to drive yourself nuts with?

Or I can choose to force myself to consider the likelihood that everyone else in the supermarket's checkout line is just as bored and frustrated as I am, and that some of these people probably have much harder, more tedious or painful lives than I do, overall.

Fiction, poetry, music...these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.

It seems important to find ways of reminding ourselves that most "familiarity" is meditated and delusive.

We all suffer alone in the real world. True empathy's impossible. But if a piece of fiction can alow us imaginatively to identify with a character's pain, we might then also more easily conceive of others identifying with their own. This is nourishing, redemptive; we become less alone inside. It might just be that simple.

You have to understand, writing a novel gets very weird and invisible-friend-from-childhood-ish. Then you kill that thing, which was never really alive except in your imagination, and you're supposed to go buy groceries and talk to people at parties and stuff.

I'm not afraid of new things. I'm just afraid of feeling alone even when there's somebody else there. I'm afraid of feeling bad. Maybe that's selfish, but it's the way I feel.

There's a grosser irony about Politically Correct English. This is that PCE purports to be the dialect of progressive reform but is in fact - in its Orwellian substitution of the euphemisms of social equality for social equality itself - of vastly more help to conservatives and the US status quo than traditional SNOOT prescriptions ever were.

Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?

To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.

....there is an ending [to Infinite Jest] as far as I'm concerned. Certain kind of parallel lines are supposed to start converging in such a way that an "end" can be projected by the reader somewhere beyond the right frame. If no such convergence or projection occured to you, then the book's failed for you.

If you're automatically sure that you know what reality is and who and what is really important - if you want to operate on your default-setting - then you, like me, will not consider possibilities that aren't pointless and annoying.

There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And an outstanding reason for choosing some sort of God or spiritual-type thing to worship - be it J.C. or Allah, be it Yahweh or the Wiccan mother-goddess or the Four Noble Truths or some infrangible set of ethical principles - is that pretty much anything else you worship will eat you alive.

Think of the old cliché about ‘the mind being an excellent servant but a terrible master.’ This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head.

Hideous psychic fallout they'd all endured both in active marijuana-dependency and then in marijuana-detox: the social isolation, anxious lassitude, and the hyperself-consciousness that then reinforced the withdrawal and anxiety - the increasing emotional abstraction, poverty of affect, and then total emotional catalepsy - the obsessive analyzing, finally the paralytic stasis that results from obsessive analysis of all possible implications of both getting up from the couch and not getting up from the couch.

...morning is the soul's night.

I never, even for a moment, doubted what they’d told me. This is why it is that adults and even parents can, unwittingly, be cruel: they cannot imagine doubt’s complete absence. They have forgotten.

There are very few innocent sentences in writing.

Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?" "I give." "You get someone who stays up all night torturing himself mentally over the question of whether or not there's a dog.

Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or present yourself in a way you figure you will be maximally likable.

She took a sort of abject pride in her mecilessness toward herself.