David Foster Wallace Quotes - Page 9

In the broadest possible sense, writing well means to communicate clearly and interestingly and in a way that feels alive to the reader. Where there’s some kind of relationship between the writer and the reader - even though it’s mediated by a kind of text - there’s an electricity about it.

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.

But the young educated adults of the 90s -- who were, of course, the children of the same impassioned infidelities and divorces Mr. Updike wrote about so beautifully -- got to watch all this brave new individualism and self-expression and sexual freedom deteriorate into the joyless and anomic self-indulgence of the Me Generation. Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.

How promising you are as a Student of the Game is a function of what you can pay attention to without running away. Nets and fences can be mirrors. And between the nets and fences, opponents are also mirrors. This is why the whole thing is scary. This why all opponents are scary and weaker opponents are especially scary. See yourself in your opponents. They will bring you to understand the Game. To accept the fact that the Game is about managed fear. That its object is to send from yourself what you hope will not return.

Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.

It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art.

I submit that tennis is the most beautiful sport there is, and also the most demanding....Basketball comes close, but it's a team sport and lacks tennis's primal mano a mano intensity. Boxing might come close- at least at the lighter weight divisions- but the actual physical damage the fighters inflict on each other makes it too concretely brutal to be really beautiful- a level of abstraction and formality (i.e., play) is necessary for a sport to possess true metaphysical beauty (in my opinion).

Although the only way that I'm well known at Illinois State is that I am the "grammar Nazi." And so any student whose deployment of a semi-colon is not absolutely Mozart-esque knows that they're going to get a C in my class, and so my classes tend to have like four students in them. It's really a lot of fun.

If you're writing fiction, you're dealing with characters who, themselves, will have heartfelt sentiments but who, themselves, live in this culture right now and thus face all the impediments to sort of dealing with those parts of their lives that, you know, that we did. So it would be not only silly but unrealistic to have a character saying that kind of stuff.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

she committed suicide by putting her extremities down the garbage disposal-first one arm and then, kind of miraculously if you think about it, the other arm.

Of course, the fact that Dostoevsky can tell a juicy story isn't enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they're not even very good.

At root, vulgar just means popular on a mass scale. It is the semantic opposite of pretentious or snobby. It is humility with a comb-over. It is Nielsen ratings and Barnum's axiom and the real bottom line. It is big, big business.

We live today in a world where most of the really important developments in everything from math and physics and astronomy to public policy and psychology and classical music are so extremely abstract and technically complex and context-dependent that it's next to impossible for the ordinary citizen to feel that they (the developments) have much relevance to her actual life.

No one can call themselves a writer until he or she has written at least fifty stories.

He suddenly felt nothing, or rather Nothing, a pre-tornadic stillness of zero sensation, as if he were the very space he occupied.

You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal.

God, what a ghastly enterprise to be in, though-and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed.

Dostoevski informs everybody; or he ought to.

For these cultures, getting rid of the pain without addressing the deeper cause would be like shutting off a fire alarm while the fire's still going.

I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.

If Realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see it.

The depressed person was in terrible and unceasing pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror.

You have decided being scared is caused mostly by thinking.

You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.