Don Winslow Quotes

Smart people sometimes get stupid, but stupid people never get smart.

If you let people believe that you are weak, sooner or later you’re going to have to kill them.

And the most dangerous place on earth - Is where you’re safe.

I think you can use fiction to get inside people's minds.

I don't recognize myself. I don't know who I am anymore." And it's all fun and games until someone loses an I.

Alcoholism, tobacco, drunk driving, these things will always be with us. There's always going to be a certain percentage of any population that is addicted to certain substances.

There are various kinds of savagery: emotional, spiritual, economic, and cultural savagery.

What happened with the opioid epidemic is the Mexican cartels made a very deliberate, corporate decision to undercut the price of opioids. What they discovered was they could increase production, increase potency and decrease the price, and sell it for a third of what the Big Pharma could, or street dealers could, for Big Pharma pills. North America, and to a slightly lesser extent Europe, is being flooded with this Mexican heroin as a direct result of the attempt to undercut American pharmaceutical companies.

The devil's in the details. The way I view my job is to bring the reader into a world they otherwise could not enter and let them see it through the character's eyes. And you can only do that with detail. The details make the characters distinct from one another. If you can give them those little grace notes, those little touches, that's what makes the reader relate.

I try to pay attention to language. I think that as a general rule, we as writers talk too much and we should listen more. I read my dialogue out loud to myself because I think that's when you catch the wrong notes and the wrong tones.

I have a life, I have a wife. I have an adult son who I'm very close to, and friends. I go hiking almost every day, four to six miles. In the summer, I'm out surfing or swimming. I think that real, human relationships with people mostly balance dark places in my work.

How much more money do we have to waste, how many more families have to be destroyed, how many more people have to be killed before you summon the courage to tell the truth to the American people?

I would prefer things to be peaceful and not have conflict.

I never think about a movie when I'm writing a book, because I think only two things could happen and both of them are bad. You write a lousy novel and a lousy film.

I think one of the problems with being a fiction writer these days is that you can't keep up with the headlines. Things that people would say are absurd occur the next day or they come out of somebody's mouth. There are days I just wanna give up.

I've been writing since I was six years old. It's hard to imagine stopping. I would hate to think that I've already written my best book.

American cops are the ones who are in the emergency rooms. They're the ones who go to the morgues. They're the ones who have to go tell the families that their son is not coming back, their husband, their wife, is not coming home that night. So when we talk about guns and gun violence and police, let's understand that as well. No one wants guns off the streets more than cops because cops are killed by those guns.

Bookstores never seem to know where to put me on the shelves. But I do. I love my genre and I love those writers, so I am happy to be considered a crime writer. That's what I consider myself.

The Force deals a lot with the heroin epidemic, which I'm sorry to know people are experiencing in Canada.

I start work at 5 in the morning and I have a wicked insomnia problem.

With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.

Ridley Scott obviously an iconic director, he's made some fantastic films. Obviously a very smart, very tasteful, thoughtful guy. So yeah, I'm in good shape; got Ridley Scott with The Cartel.

Shane Salerno and I adapted my book Savages together, and I learned a lot about adaptation. I think it's an extremely difficult thing to do; adaptation might even be more difficult than writing an original screenplay. It's so much a matter of choices, making choices of what to leave in. It was an education.

I'm a jazz guy and a Bruce Springsteen guy. So I wanted something more current, and edgier, and angrier. So I asked my kid to educate me about hip hop; he has an encyclopedic knowledge of it. And he did so. I found it to be much richer than I would've thought. I think some of the poetry in it is really spectacular. I threw rap into the book. I think I mentioned Kendrick Lamar. I'm really into Tupac these days. I love Nas, N.W.A.

That sounds like Anthony Soprano. He has a point. I've said it before: if you're black and you sell dope, you end up in the big house; if you're white and you sell a large amount of dope, you end up visiting the White House. So it's a matter of race and it's a matter of scale, frankly.