If I wanted to connect like I do now, I'd have to write 500,000 letters, get 500,000 stamps, send them out and wait for them all to come back. This stuff is instantaneous. I can see if someone is having a bad day and send them a smiley face and have an effect on them. It's fun, but it's also a very powerful thing.
What's important is self-appreciation
It's not hard to keep up the image we chose. It's not hard to stay yourselves.
I love the rush of being creative. I really think I live for it.
You can't control what people gravitate to and what they don't. We can only control the work that we do and try to give it the best that we can.
We never really felt a real level of respect. The fame was fantastic, but that wasn't that important to me, because for every million people that loved me I focused on the one that hated me.
I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.
I wish I was a guy who could have pancakes and bacon and cheesy eggs, but I'd curl up and pass out. I gotta start healthy or I'll be off the rails all day.
I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot
Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.
I would like to meet Mikhail Gorbachev. I think it would be great to sit in a room with him...and try to make peace.
The food in Europe is pretty disappointing. I like fried chicken. But other than that Europe is great.
I'm very much a leader in a lot of the work that I do or that I've done in my career.
If you are succesfull for 20 years, you can't expect to stay on the same level all through that period. A career has its ups and downs and in-betweens.
Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.
When you grow up in a city like Boston, where I grew up, a lot of kids became criminals or cops. I never really had a bad take on cops other than I hate when there's one behind me on the highway.
For a Bostonian... we live in the shadow of New York, and to be acknowledged by New Yorkers is really the greatest feeling.
You can't dictate if a character's going to come off as sympathetic to an audience. I just tried to play it as honest as possible.
It wasn't until The Sixth Sense that people started saying, wow, man, you're an actor. People didn't think of me as the guy in a band anymore.
I love food shows: Anthony Bourdain, Iron Chef, Chopped, you name it.
It's different as a guest as opposed to being a star of a series. A guest star is a whole different responsibility. It's much different than being a regular. You come in, and it's a lot of unfamiliar faces, and you want to try to fit in as best you can, but also you want to stay there without making waves.
I didnt get arrested to show off my wild character. People say its a gimmick for all five of us to be different. Thats ridiculous.
When New Kids became really successful, I got a lot of offers to do parts in movies and TV shows, but I was really busy, so I pretty much turned everything down. But I always knew it was something that I would eventually put some energy into.
For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.
In high school, I was one of the cofounders of New Kids on the Block my freshman year in high school. But I also started studying theatre in high school my freshman year as well. So throughout high school, I was actually doing both.