Nature never gives to a living thing capacities not particularly meant for its benefit and use. If Nature gives to us capacities to believe that we have a Creator whom we never saw, of whom we have no direct proof, who is kind and good and tender beyond all that we know of kindness and goodness and tenderness on earth, it is because the endowment of capacities to conceive a Being must be for our benefit and use; it would not be for our benefit and use if it were a lie.
Grief alone can teach us what is man.
In solitude the passions feed upon the heart.
Bu is a word that cools many a warm impulse, stifles many a kindly thought, puts a dead stop to many a brotherly deed. No one would ever love his neighbor as himself if he listened to all the Buts that could be said.
In life, as in art, the beautiful moves in curves.
Youth, with swift feet, walks onward in the way; the land of joy lies all before his eyes.
If you wish to be loved, show more of your faults than your virtues.
It is, the most beautiful truth in morals that we have no such thing as a distinct or divided interest from our race. In their welfare is ours, and by choosing the broadest paths to effect their happiness we choose the surest and the shortest to our own.
Debt is to man what the serpent is to the bird; its eye fascinates, its breath poisons, its coil crushes sinew and bone, its jaw is the pitiless grave.
Evening is the delight of virtuous age; it seems an emblem of the tranquil close of busy life--serene, placid, and mild, with the impress of its great Creator stamped upon it; it spreads its quiet wings over the grave, and seems to promise that all shall be peace beyond it.
Genius in the poet, like the nomad of Arabia, ever a wanderer, still ever makes a home where the well or the palm-tree invites it to pitch the tent. Perpetually passing out of himself and his own positive circumstantial condition of being into other hearts and into other conditions, the poet obtains his knowledge of human life by transporting his own life into the lives of others.
Dandies, when first-rate, are generally very agreeable men.
Ask any school-boy up to the age of fifteen where he would spend his holidays. Not one in five hundred will say, "In the streets of London," if you give him the option of green fields and running waters. It is, then, a fair presumption that there must be something of the child still in the character of the men or the women whom the country charms in maturer as in dawning life.
What, after all, is heaven, but a transition from dim guesses and blind struggling with a mysterious and adverse fate to the fullness of all wisdom--from ignorance, in a word, to knowledge, but knowledge of what order?
The veil which covers the face of futurity is woven by the hand of mercy.
He who sees his heir in his own child, carries his eye over hopes and possessions lying far beyond his gravestone, viewing his life, even here, as a period but closed with a comma. He who sees his heir in another man's child sees the full stop at the end of the sentence.
There is a world of science necessary in choosing books. I have known some people in great sorrow fly to a novel, or the last light book in fashion. One might as well take a rose-draught for the plague! Light reading does not do when the heart is really heavy. I am told that Goethe, when he lost his son, took to study a science that was new to him. Ah! Goethe was a physician who knew what he was about.
Emotion, whether of ridicule, anger, or sorrow,--whether raised at a puppet show, a funeral, or a battle,--is your grandest of levellers. The man who would be always superior should be always apathetic.
Emulation, even in brutes, is sensitively "nervous." See the tremor of the thoroughbred racer before he starts. The dray-horse does not tremble, but he does not emulate. It is not his work to run a race. Says Marcus Antoninus, "It is all one to a stone whether it be thrown upward or downward." Yet the emulation of a man of genius is seldom with his contemporaries, that is, inwardly in his mind, although outwardly in his act it would seem so. The competitors with whom his secret ambition seems to vie are the dead.
Remorse is the echo of a lost virtue.
A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.
Bright and illustrious illusions! Who can blame, who laugh at the boy, who not admire and commend him, for that desire of a fame outlasting the Pyramids by which he insensibly learns to live in a life beyond the present, and nourish dreams of a good unattainable by the senses?
When the world frowns, we can face it; but let it smile, and we are undone.
More bounteous run rivers when the ice that locked their flow melts into their waters. And when fine natures relent, their kindness is swelled by the thaw.
A life of pleasure makes even the strongest mind frivolous at last.