Geoff Dyer Quotes

I want to stress, this is the experience-growing up in a working-class family-that defined me and continues to define me. It's the core of my being. And it explains, incidentally, a good deal about my love of America.

One's happiness is very largely a question of state of mind rather than the world you are looking at.

The ideal is to feel at home anywhere, everywhere.

Nine times out of 10, the most charming thing to say in any given situation will be the exact opposite of what one really feels.

To be interested in something is to be involved in what is essentially a stressful relationship with that thing, to suffer anxiety on its behalf.

The perfect life, the perfect lie, I realised after Christmas, is one which prevents you from doing that which you would ideally have done (painted, say, or written unpublishable poetry) but which, in fact, you have no wish to do. People need to feel that they have been thwarted by circumstances from pursuing the life which, had they led it, they would not have wanted; whereas the life they really want is precisely a compound of all those thwarting circumstances.

He [Thelonious Monk] played each note as though astonished by the previous one, as though every touch of his fingers on the keyboard was correcting an error and this touch in turn became an error to be corrected and so the tune never quite ended up the way it was meant to.

Have regrets. They are fuel. On the page they flare into desire.

All the best essays are epistemological journeys from ignorance or curiosity to knowledge.

Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I ­always have to feel that I'm bunking off from something.

I guess that as life is speeded up and our capacity for concentration is being nibbled away at by all the obvious things, that leads us actually to be more susceptible to boredom.

I would hope that nothing that I write would ever seem earnest because I subscribe absolutely to Franz Nietzsche's claim when he says, "Ah, earnestness, the sure sign of a slow mind." Earnest people are always a bit on the thick side in my experience.

Life is bearable even when it's unbearable: that is what's so terrible, that is the unbearable thing about it.

What I'm really interested in, as a reader and as a writer, is the idea of the nonfiction book that is not defined by its content, by its "about"-ness. Where you read it irrespective of whether you're interested in the subject.

Quite often, ambition operates on a level of irritation. Not even jealousy, just irritation.

When you are lonely, writing can keep you company. It is also a form of self-compensation, a way of making up for things—as opposed to making things up—that did not quite happen.

[William] Eggleston's photographs look like they were taken by a Martian who lost the ticket for his flight home and ended up working at a gun shop in a small town near Memphis. On the weekend he searches for the ticket - it must be somewhere - with a haphazard thoroughness that confounds established methods of investigation.

Nicholson Baker talks about the way in which the most successful nonfiction books are those that can be boiled down into an argument so that everybody can wade in with an opinion without having to undergo the inconvenience of having to read the book itself. The more you can condense it, the better.

The only distinction I'd make is between film and telly, I guess. "Film," "movies," and "cinema" are all synonyms as far as I'm concerned; but telly is different. It's just a plodding we've-done-this-scene, we've-done-that-scene and it never becomes this new other thing.

Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.

If you help them (the crew) create good memories, they'll forget all the bad stuff

Never ride a bike with the brakes on. If something is proving too difficult, give up and do something else. Try to live without resort to per­severance.

I don't like my books being defined by their "about"-ness. So now the subtitle has just become a kind of strap-line on the cover.

I've never really liked L.A., because of its sprawl.

Foreign governments are going to be poring through all these Donald Trump tweets looking for - to try and discern what it means for foreign policy.