If I'll be sexualized, it wouldn't be because I was wearing sexy clothes, because I look like a baby. But music is an inherently sexual thing. If something sexual is going to be expressed, it's going to be in my music.
Obviously, I like things that are cute and aggressive at the same time, but I didn't want it to just be mini-bangs and lip-syncing in a dress. I need to get away from that stuff.
I want to say my life inspires my lyrics, but I also try to abstract them as much as possible because I don't want to refer to my life explicitly. I'm definitely really embarrassed by my lyrics.
Fashion can be a really powerful tool, but it's also a place where you can be totally humiliated and have your power taken from you.
If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.
Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
I think Canadians make a lot of music because we're stuck inside all the time.
Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.
I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work.
Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.
I'm sad that it's uncool or offensive to talk about environmental or human rights issues.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.
One thing with Montreal is it's so cold and everyone's so poor and beer's so cheap: if you go to a show you have to brave the weather to get there. So you show up and everyone's soaking wet - there's a sense of 'I trekked through three feet of snow to get here!' I think there's a kind of camaraderie that arises out of that, that's important to me as well.
If I think about what other people are thinking when I'm making music, I just can't do it. It's too withheld - I need to go totally over the top, and then kind of clean it up a bit and make it more reasonable after the fact.
Success, for me, is a song that can deliver shivers.
I don't have any money to hire actors. I just need to get people who are going to do a good job being themselves.
Usually when I make music, in my head I'm like 'this isn't Grimes, this is just some other project that you can release later, so there's no pressure and it doesn't matter and no-one's ever gonna hear it'.
I just watched another person I care deeply about basically turn into Gollum and my heart is broken.
Most of my music videos were made for under $200.
I want to make Grimes a high-fashion sci-fi act.
If I went on 'American Idol,' I would definitely be kicked out immediately.
As a producer, I'm trying to challenge myself to just make something that is of a professional quality - not necessarily pop music, but maybe in the sense that Nine Inch Nails is professional quality.
Even though I really admire what Beyonce does, and she's probably got one of the best live shows in the world - honestly! - that's so not my style.
I have a really weird relationship with myself where I'll say, "Do it, do it!" and then, "I don't want to do it anymore, I hate photo shoots, I'm so tired of this!" Or, "I wrote a song, and you're gonna sing it!" then, "I can't hit the note." I want to be a behind-the-scenes producer. I really hate being in front of people. But I'm also obsessed with becoming a pop star.