My occupation is assistant storyteller. It is not "icon."
[On being an actor] .nothing more than a worker in a service occupation . It's like being a waiter or a gas station attendant, but I'm waiting on 6 million people in a week if I'm lucky.
I have relationships with people I'm working with, based on our combined interest. It doesn't make the relationship any less sincere, but it does give it a focus that may not last beyond the experience.
My older kids are fantastic people. It can't be the result of my influence on them.
There is no child left within me, none whatsoever.
Hard work and a proper frame of mind prepare you for the lucky breaks that come along -- or don't.
Nothing shocks me. I'm a scientist.
I've always been somewhere down from the top, so I've never had to suffer being knocked off the top.
We have been led to believe that we have come a long way toward world nuclear disarmament. But that is not the case. Our government is not doing all that it could. We must urge our leaders to fulfill the obligations of the Nuclear Non-Proliferation Treaty. The United States must assume world leadership to end once and for all the threat of nuclear war. It is our moral responsibility.
People need to see what's going on, and they have to be exposed to the mechanisms that can help make it right.
Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?
I played maybe one and a half games of Little League. The whole atmosphere of anxious parents and more anxious children was just too much for me.
I think it turned out to be a pretty good movie [42]. I wouldn't lie to you.
I've never wanted to be the boss.
I never followed baseball very much. As a kid, I never followed sports.
What I think is really great about this movie [42], that young people who weren't there will have a chance to have the visceral experience of what Jackie Robinson went through.
[Jimmy] Breslin's [write] really great book on Branch Rickey. And Branch Rickey himself wrote quite a lot. There's some film and kinescope from television.
All my friends were going off to be professionals, and I said I wanted to be an actor.
Hollywood's got its own particular environment.
[ Chadwick Boseman] was not a baseball player. He spent, I don't know, countless hours, many months, working two sessions a day with professional pro coaches to develop the baseball skills that he needed.
I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences.
I think what a lot of action movies lose these days, especially the ones that deal with fantasy, is you stop caring at some point because you've lost human scale.
I'm like a fireman. When I go out on a call, I want to put out a big fire, I don't want to put out a fire in a dumpster.
I came across the script [42], and I read it, and I said, "I really want to do this." And when I had my agent call, they said, ah, you know, it's not what they're looking for. So, OK. And then I let it go for a while, and then it just kept gnawing at me, so I kept pushing.
Because the character is a fiction, he's a composite of other contributors to the science that brought this enzyme therapy through the process. We had the opportunity to make him up out of those things that helped tell the story. We wanted to create both ally and antagonist for John [in the Extraordinary measures].