Helen Garner Quotes

It's disturbing at my age to look at a young woman's destructive behaviour and hear the echoes of it, of one's own destructiveness in youth.

The rain began again. It fell heavily, easily, with no meaning or intention but the fulfilment of its own nature, which was to fall and fall.

It's a terrific privilege to be able to see into somebody else's life.

Writers seem to me to be people who need to retire from social life and do a lot of thinking about what's happened - almost to calm themselves.

I think some people wished I'd kept myself out of the book. But I kind of insist on it because I want the reader to share my engagement with the material, if you like, not pretend that I'm doing it completely intellectually.

On Melbourne summer mornings the green trams go rolling in stately progress down tunnels thick with leaves: the bright air carries along the avenue their patient chime, the chattering of their wheels.

I'm full of restlessness. Not lonely, exactly - my head is racing with ideas. But it is that old treacherous feeling that real life is happening somewhere else, and I'm left out.

And always Melbourne, Melbourne, Melbourne, over and over the same photo in glaring greens and reds, of a tram, huffy, blunderous, manoeuvring itself with pole akimbo round the tight corner where Bourke Street enters Spring.

Tentatively I stood a great lump of wood on the chopping block and bought the axe down on it. It flew into two perfect halves. Such was my elation that I ran inside, put on our ancient cracked record of Aretha Franklin singing Respect and danced all by myself for half an hour in our living room, without inhibition, almost crying with jubilation – not just about the wood, but because I could live competently some of the time, and because that day I liked myself.

But there are some wounds that can never be healed.

I suppose there must be idiots who dream of signing deals with publishers while fully intending to drink martinis in cool bars or ride around on skateboards. But the actual writers I know are experts in neurotic self-torture. Every page of writing is the result of a thousand tiny decisions and desperate acts of will.

We were in a great, seething moment in the 1970s. There was a new Labour government and everything seemed full of hope... But, as we got older and we saw how much women's behaviour contributed to what was wrong, we stopped being able to see ourselves purely as.

I think writers are very anxious.

I like poking my nose into other people's lives.

The only thing that I was equipped for with my very mediocre college Arts degree was to get a job in teaching.

People demand a lot of the justice system and they demand things that it can't deliver.

That's one of the things I hope that the book can do, is to restore some dignity to Joe Cinque.

I'm very disturbed by violence against women when it is violence.

To slide into the domed reading room at ten each morning, specially in summer, off the hot street outside, was a sensation as delicious as dropping into the water off the concrete edge of the Fitzroy Baths.

Now, I - for several years while I was researching this book, I felt quite obsessed by thoughts about sentencing, punishment, how judges arrive at their decisions.

At the time it seemed like a natural development of my interest in what was going on around me in society.

But I now think what I was doing, in a completely unconscious way, was getting off the turf where my husband and I might be rivals. We were both working in fiction... so I look back and I see that I consciously vacated the contested ground.

Well, I'm at some kind of crossroads in my life and I don't know which way to take. It's not about money, I mean, because I'm established enough now as a writer to get a reasonable advance if I wanted to do fiction.

But I can't bear it when somebody who some man made a pass at - to call that violence seems to me absurd and insulting to women who've really met violence, who've been raped or bashed.