Jarvis Cocker Quotes - Page 4

I am proud, and more than a little excited, to be asked to work with Faber in an editorial capacity. It is my dearest hope that we will produce some fantastic books together.

France is a republic, and the rules in theory have been made by everyone rather than imposed by a dictatorship or king or whatever. So it's like, we've got to stick to these rules because we made them.

I guess I'm fairly insistent and maybe consistent. If I decide I'll do something, I generally will.

I do write songs with a political dimension to them sometimes, but I'm always slightly appalled by it when I do.

You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.

I don't think people should abuse the fact that they are in showbiz. You still have to be human. I think that's the point. Showbiz is about showing human things - just amplified, that's all. And when it gets too much into, "Hey, we're part of the showbiz club and we can do what we want," it turns me off and I hate it.

I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one particular thing to put more attention on.

I think the credit crunch is a brilliant thing. We should all stop moaning and start celebrating. When times are tough, it's an opportunity to start looking at life in a different way.

[Jeffrey Lewis is] The best lyricist working in the US today.

Also, because people like to multitask, in a way if you've got a bit of music on in the background and the lyrical content is making you want to listen to it, then that would probably put you off the texting you wanted to do. I think people like things that just make that right kind of noise, but leave your brain free to do something else.

Money isn't important, but you have to have enough, so you don't have to think about it. Thinking about money is a drag.

Often people poopoo melody as if it's a cheap trick to make people like things, but in my experience it's the hardest part of the tune, to find something that doesn't immediately remind you of something that's happened before.

A Conservative government is necessary. There is no credible alternative.

Pulp existed for 12 years before we got famous. Now, you could say that was just lack of imagination, but it's some kind of quality isn't it? Tenacity. You could also say it was sloth.

The main thing I don't like about myself is an absurd level of self-consciousness that makes any sort of social encounter an ordeal for me.

I think life is more interesting when everybody's jumbled up together. When people separate out into cliques and things, it's okay, but it's a bit limiting. You can always learn things from other people. This is my theory.

I always feel like there are specific things about Houston. There's one museum in particular in Houston. So many of the things that I'm interested in now I can sort of trace back to that museum, which introduced me to them.

In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.

My basic position is that the more mixed the society and the more mobility there is in it, the better. That's what makes things interesting. When you get a homogenous society, it's very, very dull, whether that's all working class or all upper class, because everybody thinks the same, everybody looks the same.

If you're in a band or think of yourself as a slightly creative person, you can get quite self-indulgent, so sometimes it's nice to have those people who bring you down to earth, but in a pleasant way.

I do want to have that feeling that people are actively involved in something, rather than just consuming something. I suppose that's what it comes down to, because it's such a dominant capitalist society, everything becomes a consumer product. And I don't think that's really appropriate to the creative arts, really.

What people have to make sure of is that they're not replicating something that already exists. You really have to ask yourself: "Is there a point in me doing this? Has this already been said before? Is this moving things along or is this just adding to the giant pile of junk that's already there?"

It's funny how you can intensely investigate one very particular thing, and then it can lead you to other things through links and stuff like that. It's like you're going on this selective, very precise detour. But then it is strange because with it being so quick, there must be a difference.

If you wanted to be a creative person and you are confronted with the sum product of mankind's creativity up to this moment in history, that's pretty daunting, like, "Where can I fit my voice in amongst all that?"