With independents[films] you sort of make them on the go and there is that little bit more creative freedom. You don't have the money to slow down!
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
I can't write. I would love to. I don't really have an interest in it, to be honest. I'll leave that to my fiance.
I'm not a role model or the poster child for how to do anything.
When you think of dog movies, that genre, Old Yeller is sort of the benchmark and you hope that you can raise your game up to that.
Being "America's Sweetheart", that label gets put on a lot of people. I don't pay that much attention. And I'm not trying to shake anything. I'm just following my instincts and doing work that is coming to me and I'm just grateful for it.
I really love comedy. I love making people laugh. But other things also appeal to me.
My dog didn't like me very much. My first dog, Dmitri, was a poodle. I used to think Dmitri was something I could play with and ride. I tried to ride a poodle. And then he bit me.