J.H. Wyman Quotes

What's a hero if not for its journey.

Blade Runner' is one of my favorite films.

I grew up watching a lot of French cinema.

Never in my career have I got the support for what I'm doing, any more than I have on Fringe.

I'm consistently telling stories about the value of the human condition and connectedness and things like that.

My favorite novels allow me to imagine the characters afterward and what happened, and that I've witnessed a really great story, where the world goes on.

There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.

The heart is an organ of fire and you can't stop it from feeling or connecting.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

You realize that everything is a moving budget, and sometimes you've got to borrow from Peter to pay Paul, to make it happen.

I want to feel that my characters evolved into a place that they deserved, that was sometimes unexpected, but where I would feel satiated that logically they have come to a conclusion that makes me feel satisfied.

Sometimes something you thought wouldn't really be as big as it was blows up into something else.

I think that any show that doesn't have huge ratings, that's what you're always up against. Meanwhile, conversations are ongoing. Everything is running the way that things usually run, in these types of situations. I guess we'll find out, like everybody else. But, we don't fret about it because, really, it's out of our control. We can only step back and do our work, and therein lies the serenity. We're hoping for the best and just doing what we love.

Another part of the challenge was to bring back things that you've forgotten about and maybe some things you haven't forgotten about, recontextualize them and have the series make sense.

I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.

One thing Fringe has is no shortage of ideas. There are so many jumping off points that we could use and have thought about. I just wouldn't want to pull a trick like that on the viewers. I really want to reward them. I honestly and sincerely feel that it's the most miraculous fan base I've ever seen, so I just want to make sure I use every fiber of my body to deliver for them what I think is going to be satisfying for their loyalty.

Once people start to realize the consistency of quality that is coming, they'll start to open up their minds a little more and say, "Wow, this is great. I'm going to tune into this." It's not just for the geeks and the people that are into it. It's actually really fascinating. That's my take on it.

It's a sci-fi show on network television, and everybody knows that it's an amazing feat that we've been on for so many years. The fans, the press and everyone has been so incredibly kind and so incredibly supportive that we feel like it's a success, in any way, shape or form. It's an expensive canvas.

The God-honest truth is that Jeff and I just do what we do. You have no control. We didn't have control last year, or the year before either, or the year before that. We can only do what we do, which is to make the show that we love, continue to follow the path for the stories that we want to tell, tell great and compelling stories, week-to-week, that interest our fans, and really hope for the best.

No love story worth telling is easy. The hills and valleys that make a relationship, in my opinion, is really a dynamic worth watching.

It's so funny because, when the other world was being hatched and conceived, I just kept hearing, "Don't do that! That's a huge mistake! People love your characters. Why go to these new ones?" And I was like, "No, we can do this! I'm invested. Why wouldn't they be?"

Blade Runner is one of my favorite films. But, so many thing influenced me that aren't science fiction because they were just good drama. I grew up watching a lot of French cinema. I was in love with The English Patient, and movies that are very romantic in nature and have a positive message. That's a large part of my fingerprint.

What's a hero, if not for its journey. I think you're going to recontextualize what saving the world means, and I think that you will be satisfied with the stakes. That's all I can say about that.

It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.

So, I can live with people saying, "I didn't like it." But I can't live with people saying, "There just seems to be no plan here," 'cause there is a plan. And a lot of people fall into that, where they don't know what their show is yet. Their pilot gets picked up, and they have to figure it out. I would hate to be in that situation.