When life gives you lemons, throw them at the zombies.
All men think they're fascinating. In my case, it's justified.
For a long time I was embarrassed to say I was a 'B' movie actor, ... But now that I see what Hollywood's putting out, I realized 'B' actually means 'better.'
If you have it you don't need it. If you need it, you don't have it. If you have it, you need more of it. If you have more of it, you don't need less of it. You need it to get it. And you certainly need it to get more of it. But if you don't already have any of it to begin with, you can't get any of it to get started, which means you really have no idea how to get it in the first place, do you? You can share it, sure. You can even stockpile it if you like. But you can't fake it. Wanting it. Needing it. Wishing for it. The point is if you've never had any of it ever people just seem to know.
Good, bad, I'm the guy with the gun
We make our own problems every time. Everything that we complain about is something we can solve.
Every word out of my mouth is a word that I've approved.
People who sleep around to get roles are frail and scared and most likely without talent. It's their own little horror show that only they can deal with.
If you ain't got socks, you ain't got much. But if you got 'em, you might as well pull 'em up. It's a statement of self-sufficiency. We should all be more self-governed.
If I had all the money in the world, I'd still make movies. But I'd want them to pay me in donuts.
Sometimes you fail your chemistry test and other times it's explosive.
Everybody's got brain matter in their hair, and somehow that makes it a very happy workplace.
It's very gratifying that someone likes what you're selling.
The Way I See It: If you're worried about getting a job-or keeping one-start a company of your own. By doing so, you'll reap the rewards of your hard work and you'll only get fired if you fail. This is the land of opportunity. Live in it.
Once you look past the hype, actors are nothing more than fugitives from reality who specialize in contradiction: we are both children and hardened adults—wide-eyed pupils and jaded working stiffs.
Only comedies can get you that engaged in a movie, dramas people just sort of sit there and eat their popcorn and nothing really happens, they might cry a little bit, but that's it. Horror movies are talking at the screen, guys are elbowing each other, laughing at each other because they got scared. That's the beauty of a horror movie.
A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.
I'm not really that sick of Evil Dead. I can trace all roots back to The Evil Dead movies, so I have nothing against them. It's just that I've done more non-Evil Dead stuff; it's not the only thing I've done. There are some actors who have done a cult movie and they are forever going to be the Policeman #2 in Plan 9 From Outer Space.
Every single bit of entertainment is escapism. It's because you are saying, "Let's see what this other person's life is like." And also it's beyond escapism, its entertainment and art as such can elevate the species. The entertainer supposedly is the muse. They're the ones who tell you what is wrong with society in a humorous way. They're the ones who do an expose about this or a documentary about that about the injustice of this. So it can be a very powerful medium.
I'm sick of over-trained heroes. I'm really bored with that. Guys that are just ripped to shreds and full of skills. That's boring me. Give me the mechanic that picks up a weapon. Now I'm interested. That's my hero.
Actors who say they can dive inside a character are either schizophrenic or lying.
I don't say any word that I don't approve.
Actors are always going to have a little bit of themselves in everything.
There are MAYBE 30 years worth of ideas out there... watch for the feature version of ER in about 25 years... Hollywood has become hopelessly chained to the bottom line.
I see parody as another form of comedy. If you are making a comedy, there are a lot of different ways to do it. I'm not necessarily always aware of my quote-unquote persona when doing things like that. It's more, "What does the character need at the time?" I'm certainly drawn to certain types of material, there's no doubt about that.
