It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.
Most of the time I live with my pain. I have pain but I won't show it around. I think that's the nobility of the character. There's something noble in not spewing on people all the time about your problems. I'm the light guy, so I identified.
Christmas was really where I started coming into my own as a performer because I did all this stuff on my own, all this performing on my own. When other kids were outside playing, I was in my room conjuring characters and impressions and things like that.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
I think that there's a natural attraction to enigmatic characters, people that have decided to make a decision in their lives to live differently than everyone else. That's a very attractive quality that also happens to be good for filmmaking, people that have their own point of view and aren't looking at things the same way as everyone else.
The wonderful thing about digital process is that I can be cast in films that I would never be cast in. If I have it in my soul to play the character it doesn't matter what my face looks like, or my age. It's really liberating.
The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.
