I argue with myself, get mad at myself, throw myself around the room and then apologize to myself.
I really have been blessed and fortunate to have accomplished what I have. I hope to do this for a long time. It's such an enjoyable job. I love to do it.
Bonkers doesn't go by the book-he doesn't even know there is a book.
I think [Winnie the Pooh] just looks at the world through honey-colored glasses, and everything is honey-fied and sweet for him, and that's not a bad outlook.
I was at a restaurant and I heard this little voice at a nearby table pipe up and say, 'I believe I will have the chowder.' I got up and walked out into the middle of the restaurant. There was Sterling Holloway just sitting there being Sterling Holloway. Never in a million years would I have imagined that I'd have the honor of filling his shoes. I just regret not going up to him and saying hello.
I grew up watching all the great Disney animated films and to be able to carry that torch and know that I'm contributing to the same magic and wonder for a whole new generation is a great thing.
I have some calls out to Tom Cruise, Brad Pitt and Eddie Murphy. I said, 'I won't star in any blockbuster films if you stay out of animated films.' They just won't call me back.
I have a brand new favorite for a Disney animated feature coming out next Christmas called The Princess and the Frog. I'm Ray the singing Cajun firefly. New Orleans is my second hometown. I was a deckhand on a riverboat there when I was 18, so I have that Cajun accent down pat. Ray is a lovesick firefly who's near-sighted and falls in love with the Evening Star. Of course, Winnie the Pooh and Tigger will always be favorites of mine too.
Mr. Bumpy from Bump in the Night was this funky little guy who lived under the bed and thought eating dust bunnies was a delicacy. He was as cool as he could be, and ate dirty socks.
I get to be one of the torch-bearers for a new generation.
The established characters are easy to recall. I don't know why, but they come back to me instantly when I need them. It's the one-time-only characters that I don't remember where the voice I used came from.
I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.
I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'
Don Karnage-he's one of my all-time favorites. He's so brash and so bold and so arrogant-and he just doesn't know what he's doing.
I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old. . . When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence.
My agency tells me I am rare because I sing, do movie trailers, and do cartoons too. I like that because it gives me variety in jobs. I don't just sit and do movie trailers, and I don't just do cartoons either. I can do both, and I feel very fortunate for that.
I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.
Darkwing Duck and Don Karnage are the most fun to do, because they're both probably the closest to me - I kinda improvise a lot of them, kinda ad lib.
Sometimes at drive-thrus I go into Winnie the Pooh and ask for a jar of honey.
A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'
John Fiedler's voice was kind of like the wind blowing through tall grass. It sounded homey and it sounded comforting.
Everybody can identify with somebody in the Hundred Acre Wood.
Bonkers is kind of a combination of Jerry Lewis and Harpo Marx, which is very strange because Harpo never spoke!
I do all the better bears.
It was cool to have Mark [Hamill] ask me to do all these voices for him like he was a fan. I was like, "You're not meeting me, I'm meeting you."
