Swedes are a really humble and shy people in many ways, but I think it's pretty much the same as in the U.S. Little girls want to take photographs with me at lunch.
In Sweden, I went to an English school, where there was a mishmash of people from all over the world. Some were diplomatic kids with a lot of money, some were ghetto kids who came up from the suburbs, and I grew up in between. There's a community of second generation immigrants, and I became part of that because I had an American father.
As actors we're like these vagabond artists, we have to be invited to perform so if you don't have a choice of options its very hard to define yourself.
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
I don't think there have been many alien movies where the actors have actually seen the aliens.
You have to think before speaking. That's a quality I'm continuously evolving. For some reason, it seems like I'm bumping my head into the wall a little bit too many times.
I used to throw up before I went on stage, every time. Even though it's only 200 people in the audience, and a movie like RoboCop is going to be seen by many, many people, I know I'd be much more nervous doing a play than being on set shooting.
I usually have pretty good intuition on projects that I work on.
I hate pork rinds. I couldn’t imagine how anybody would ever get the idea of taking skin from a pig and frying it and then trying to sell it to people. And then people actually buy it to eat it. That is the true sign of the decline of the human race.
I think for a lot of people that had seen me do Snabba Cash, after watching The Killing, I think they got a sense that I could do different kinds of characters.
You're always trying to look for material that is as challenging as possible, so that's why I like stuff where the characters go through the most difficult times they've ever had in their life. It makes me push myself further and learn more about myself.
You're not able to do a lot of projects because you don't have a name. I wanted to get my movies to come over that hedge, so that I could do the movies that I wanted to do.
I think the way we look upon gender is that we're realizing that we're not that different, which is a good thing. The United States needs to come further with that. In the Scandinavian countries, we've come further when it comes to gender politics and how we look upon gender and how women are treated in general.
If we weren't doing remakes, nobody would know who Shakespeare was. I'm not saying that RoboCop is Shakespeare, but it's a way we're retelling. That's what we do as human beings. We retell our favorite stories.
I think I'm a boxer, but then when I get hurt, I'll start scrapping.
I really want to live in New York. That's the city of my dreams.
What I enjoy most with acting is when it's a good scene with one or two other actors, and you feel a strong connection and you don't know how you're going to respond, and everybody is listening to each other and getting affected by each other, and even though you've rehearsed it many times, it feels like it's happening right now.
If you think back to the moments when you've gone through the most pain in your life, or the most severe anxiety, your body is very much involved in that. Your body is expressing those emotions. So, when we, as actors, try to access those feelings, the body is a great tool to use.
There's a lot of neuroscience now raising the question, 'Is all the intelligence in the human body in the brain?', and they're finding out that, no, it's not like that. The body has intelligence itself, and we're much more of an organic creature in that way.
We're all a big hippie family so I got five sisters and a bunch of different mothers. Not really, but my sisters' mothers are all good friends with my mother. We're a big family, 25 people.
We don't know why we are here and . . . our role in the universe, and the thought of an infinite universe. It's something the human mind can't really grasp. [And] it's statistically impossible that there's not life on other planets.
'The Killing' has a really great combination of qualities: Even though it's very sad and deals with mourning and grief, it's still exciting. It's about real people and it doesn't shy from the painful points of life.
I think I've seen the first 'RoboCop' like 15 or 20 times. I'm like a kid that way.
I was meeting a lot of directors and reading scripts, and I was like, "Well, I'd love to play this part," but I couldn't.
It's always the thing when you're shooting out and about with real people and you could get a couple of bogeys like sticking their face in front of the camera, like 'Hey!'