What have the Romans ever done for us?
When the target audience is American teenage kids, you can have problems. My generation prized really fine acting and writing. Sometimes you have to go back to the basic principles which underpin great visual comedy.
Your Mother was A Hamster and you Father Smelled of elder berries.
How to defend yourself against a banana
I wish you wusses would stop whining about your unhappiness. I'm really fed up with it. Pour yourself a scotch and pull yourself together. Go out and shoot something!
I started to make harder jokes before anyone else did. And the producers would get anxious. They'd say, 'That's a little bit hard-edged, isn't it?' And I'd say, 'Let's just try it and see how the audience reacts. If they don't like it, let's cut it out.' And the audience roared with laughter, so I learned you could do this harder humor and people loved it.
I could take an umbrella and balance it on my chin or on my foot. And I just got interested in that kind of thing. And as I played games more and more and got stronger physically, I just became more coordinated.
The great thing about Florida is you - each city's about two hours' drive from everywhere else.
British press think entirely in clichés, and when they do come across creative work, they think that it must be based on something, because they don't realize that you can create things that aren't based on things.
When people quote sketches to me, half the time I don't know what they're talking about so I have to sort of go, aha, yes, oh yep, I remember that and lie my way out of it.
What I've always wanted to do is be as funny as possible.
Nerves are always a big problem for me, which is why I loved doing American sitcoms. Because you know when you do the take in front of the audience that you're going to do it again afterwards. A minute after you finish, you just go and do it again. So, there's that sort of safety net. And then if you made a little mistake or two, they'll go pick it up, so there's nothing to worry about.
That's a lovely experience when you make an audience laugh. Then the nerves go away for a bit. And sometimes you do things then that you've never done before that are really funny.
I've always called myself a writer/performer, not an actor because I basically write what I perform.
The British fans are liable to suddenly be talking to you about something that you don't know how you got into the conversation. I think it's something to do with the fact that they've been watching you for so many years sort of you telling your story.
Everything in comedy's got to be exactly right, which is why making a comedic film is kind of a difficult process, because, for most of the two years of shooting it and editing it and reshooting and all of that, it's not quite right. And it's only when you just at the end, you put the final polish on it, it becomes really funny again.