It's in my nature to feel, 'I could be this! This could be mine!'
My son was staying with me, and we got up to watch it, just before they announced supporting actress, he came up and put his arm around me. I think it was like, 'Either way, mom, I still love you.' But then it was funny because I saw it. I saw my picture, and I heard them announce it, but I had to ask him, 'Did I really see that?' I wasn't sure I was seeing it, but he assured me that yes, I was nominated for the Academy Award. We just sort of cried a little bit.
I had three influential teachers. The first was Uta Hagen. The second two, Bobby Lewis and my late husband, Charles Kakatsakis, were both from the Actors Studio.
Filming is physically and emotionally hard, especially acting in something like this, where we go into the honest feelings of these people. But it's also very exciting because there's an adrenaline that's pumping (through you) when you're doing these scenes.
I loved New York. I made enough money and studied acting with Kenneth McMillan, which was my first formal training.
The thing I always thought of myself as was an actress. I never thought: I want to be. It was always: I am.
My whole thing is, I collect what I know I want to read, and I have certain bookshelves in my bedroom that contain all the books I haven't read yet.
I was born and grew up in Vandalia, Illinois, a small town of about 6,000. It was farm country, and this was the little county seat.
New York, oh my God, in my early 20s. I felt, this is home, this is really where I belong.
To make money in New York, you have to add gigs when starting out, so while I was acting quite a bit, I would do modeling.
