I hate when people make a really good product and then stop making it. I get annoyed.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
I've always been pretty happy with my style. I've been wearing tapered jeans since 1980 something.
After my parents got divorced, I had to go right into public school in the fourth grade. The Steiner school had never really taught me how to read, so it was a rude awakening. I was playing catch-up the whole time.
Unless you hit your television with a sledgehammer, you're not going to be able to be an individual.
If I was roped into a seven-year TV contract I'd probably hang myself.
I've never been the guy who's like, 'I take it home with me.'
I always go to bed thinking I'm the luckiest guy in the world.
There was a time when doing "Zoolander 2" that I was literally flying between the "Zoolander" shoot and "The Leftovers" in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, "Oh my God, I get to laugh on set."
Though there is something cruel about being in Hawaii and you have a computer in front of you the whole time.
I was always acting. I was doing after-school plays and stuff like that. But I wasn't doing well in any of the schools, so by ninth or tenth grade, I ended up going to a boarding school.
I was always acting. I was doing after-school plays and stuff like that.
I've always liked boots. I always think it's better to wear a boot, not a shoe.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.
Being a fan of comedy, it's so unique, in their own voice. I was really stoked to be able to participate. They're so great at just coming up with stuff on the fly and making stuff funny.
I feel more comfortable writing firmly comedic or slightly comedic stuff.
In the '90s, there was a big bell-bottom craze. Everyone was wearing grungy bell-bottoms. It was so repugnant to me.
You try to break it down to weeks at a time otherwise you sort of make yourself crazy spinning out going from one....you just can't get your head around one of them fully. So I'm more task oriented. I like to sort of like focus on one thing for a couple of weeks...and also they're all in different stages of development.
I always try to do the most interesting, fun thing for me.