One of the wonderful things about the actor's life is that's what we have the opportunity to do; we bring all these aspects of ourselves and of our personal lives into the work that we do.
I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"
I mean, it was a rough place ["Wild Bill Hickok"], and you had to wear this kind of cloak that you were a badass, and the most efficient way to do that was with your language. Swearing was just a part of how you got by during the day, and it was quite historically accurate, that depiction.
My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
Part of my claim to fame is that my first film was also Johnny Cash's first film.
When I was in high school... I loved the outdoors, and I was introduced to wilderness camping. I was in a little prep school - a boarding school in southern California, in Ojai - and when I was in this school, they had a camping program, and there would be regular trips: hikes into the mountains, the Sierras, the Sespe River Valley, and different places.
I think that the film ["Jim Younger"] still resonates, because there's just something that you can't fake about those kinds of relationships. When you see James and Stacy Keach on the screen together, they're brothers!
So we went off and made this movie ["Jim Younger"], and I've gotta tell ya, it's as much fun as I've ever had making a movie. It was kind of like adult summer camp. We put on this Western gear, strapped on our six-shooters, and went out and played cowboy all day! It wasn't an easy shoot.
I mean, it [Southern Comfort] is basically a story about the folly of our misadventure into that war, done in the context of these National Guard weekend warriors who wander into a world about which they know nothing and then wind up wreaking havoc on themselves.
I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
[David Milch] had say, "You have to understand that our history of western movies, what we've been doing in westerns since the movies began to talk, you had audiences that would be offended by certain things, and there was a cleaning-up of the way people spoke."
I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.
Lee Marvin was there at the same time, and I knew obviously it was his movie [Emperor Of The North], and Ernie Borgnine was playing the other part in the movie.I met Marvin there at wardrobe, and he said, "What are you doing for lunch?" I said, "Nothing." He said, "C'mon with me!" And he took me to the commissary. I walked into the commissary with Lee Marvin at 20th Century Fox, and he introduced me to people. He said, "This's Keith Carradine. We're doin' this movie together." He was so cool. I mean, my God.
