You learn after you've been in the business for a while that it's not getting your face recognized that's the payoff. It's having your film remembered.
We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
